White Crows Rising---- The Singularity Archetype and the Event Horizon of Human Evolution::
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White Crows Rising----
The Singularity Archetype and the Event Horizon of Human Evolution
(Originally Chapter V of The Capsule of Intentionality)
© 1996, 2009 by Jonathan Zap
Edited by Austin Iredale
Through a Glass Darkly
When we talk about the
future we attempt to look, through a glass darkly, at a landscape that is
unknown and unformed. Prophecy is a notoriously tricky and unreliable
enterprise. Many people who have sought to look through that dark glass have
seen images that were distorted reflections of themselves---of their hopes,
fears and expectations. If there is a universal theme in the visions of
prophets it is the prediction that extremely dramatic events will occur within
their own lifetimes. The authors of the book of Revelations, for example,
described events that they believed were going to happen in their time, the
First Century AD, a fact rarely mentioned by born-again doomsayers. It is quite
possible for someone to have a genuine revelation and then be completely
mistaken about the time frame, or fall into the trap of being literal and
concrete about the typically metaphorical vision they have seen.
Certain
predictions about the future require little vision beyond the ordinary sort. A
concise summary of what ordinary vision should tell us about the future is:
"We're in trouble, and we're due for radical changes." The fact that
we're in trouble seems almost too obvious to mention. Overpopulation rises
exponentially while ecosystems spiral downward. More and more children are
trying to suck greedily at the breasts of a mother who has cancer and grows
weaker daily. And to this likely terminal situation you can add any of your own
favorite force vectors of potential disaster: plague, nuclear or biological
terrorism, global economic collapse, pandemics, toxification of the environment,
climate change, natural or unnatural disasters, insane mass movements and
despotic governments.
The metabolism of the species,
and therefore the metabolism of events on this planet, has heated up to
feverish intensity. An evolutionary process is rapidly approaching critical
mass. Just consider how much change has occurred since 1908. A safe prediction
is that we are not heading into a quiescent plateau.
So what
is on the horizon if not a plateau? How can we contemplate the future
development of our own species in a planetary situation that boils over with an
infinite array of variables? And how can we possibly transcend the inherent
subjectivity of being fully vested members of the species we're trying to
predict?
Analogical Analysis
When the human mind
is confronted with the task of analyzing an almost impossibly complex
phenomenon, like the fate of the species, one way it can assist itself is by
creating an analog, an analogy to some simpler phenomenon that is of a size
more workable for our type of intelligence. This type of analogical analysis
can often work surprisingly well because there seems to be an aspect of the
universe that is very much like a hologram or a fractal---a small part, the
microcosm, seems to recapitulate the essential pattern of the larger part, the
macrocosm. To apply analogical analysis to the human species let's consider the
analog of a single human individual.
A single
human individual is still a phenomenon at the very boundary of human
comprehension. Since we are social primates, our brains have adapted and
struggled heroically to understand individuals of our own species more than any
other phenomenon. We are marvelously equipped to understand each other and yet
each individual personifies all the deepest mysteries that defy understanding.
Also, the variables affecting the future of an individual are a magnitude of
infinity perhaps greater than those affecting the future of the species because
the future of the species is itself an included variable in the life of an
individual. So although an individual of our species is certainly a
sufficiently complex microcosm, and a phenomenon that obviously parallels the
larger phenomenon of the species, he is, unfortunately, an almost equally
intimidating phenomenon to attempt to analyze or predict. But pursuing this
analogy as a thought experiment may lead us along a convoluted path to some
place interesting.
John, a Thought Experiment in Prophecy
To make our thought
experiment more concrete let's give our human individual a specific identity.
I propose
that our human sample be named John Doe, and that he be a seventeen-year-old
male living right now in a suburb of Los Angeles, California. Of course you may
be wondering why I didn't pick Olga Pietrowski, age fifty-six, mother of three
grown children, and a clerical worker at the People's Agricultural College in
Northern Ukraine, or Lee Chung, age thirty two, an unmarried Taiwanese poultry
butcher suffering from a rare kidney ailment, or any of a number of other
possible human samples.
I picked an
adolescent, first of all, because I feel that adolescence is the time of life
in Western culture that most closely resembles the present developmental stage
of the species. It is a time of intense energy and change when identity is
unsure, life is unstable, and it feels like almost anything might happen. I
picked a male adolescent because our species is in an immature masculine phase
of acting out, often destructively, testing the limits, enamored of speed,
aggression and power. Like perpetual adolescents we are obsessed with looks and
sex. And like John's life in a suburb of Los Angeles, we are aware of so many
critical problems all around us, while below there are tremors in the San
Andreas fault.
To continue
our thought experiment let's fill in some of the gaps in John's case history.
John's parents are wealthy, but his father, a high-powered advertising
executive, a workaholic John rarely sees, is also a big spender and heavily in
debt. John's mother has malignant breast cancer and is currently undergoing
aggressive chemotherapy and radiation treatment, which has left her in a state
of exhaustion and despair. And although John goes about his life at a frenetic
pace, driving along at high speeds in his red V-8 Firebird, using his
charismatic looks and charm to pick up a series of girls for sexual encounters that
he later boasts about to his friends, he is
not without feeling and is deeply
disturbed by his mother's condition. But what can he do? His mother is under
the care of the most highly paid experts and they say her condition is
"under control." As much as possible, John tries not to think of his
withering mother hooked up to all those machines and tubes at the hospital.
His feelings
tend to alternate between acute undifferentiated rage and a crushingly dark
despair. When in the rage state he is capable of violent outbursts. John has
studied martial arts, and when another teenage male calls him an insulting name
in the parking lot outside of Dark Frenzy, an LA dance club, John beats him
senseless. While still in the adrenaline rush of this conquest John feels
exultant about his victory, but later that night the other boy's bloodied face
appears in a nightmare and John's victorious feelings turn to anxiety and
regret. When in the despair state John can barely get out of bed. He misses
school, steals Valium from the medicine cabinet and watches television, utterly
bored and lethargic.
But
John's life is not wholly filled with darkness. He has a great facility with
computers and a fascination with virtual reality. And although it might not be
readily apparent, John is still capable of love. When John hangs out with his
friends they typically insult each other in joking putdown contests, but there
are also hidden moments of compassion and empathy between John and a couple of
his closest friends. John also shares a bond of absolutely unconditional love
with his dog, Clyde, a three-year-old pit bull.
Recently,
however, John's mother has taken a turn for the worse and John, in dark
sympathetic response, has begun to act out more self-destructively. His drug
use is getting more compulsive and sometimes, after doing a couple lines of
crystal meth to heighten his reflexes, he tours the express way at night,
driving the Firebird with thrilling speed. Hidden under the driver seat is the
nine millimeter automatic he bought on the street with most of his birthday
money.
Our thought
experiment is to predict where John is heading. The conventional prediction
would be that John is headed toward relative or absolute self-destruction. But
some people survive self-destructive phases of their lives and are even
positively transformed by them. The case history simply doesn't provide enough
information to make a prediction that is anything other than broad conjecture.
John, like his species, is obviously in a crisis stage and some sort of
disaster seems very likely. But even if we knew for certain that John was going
to have a serious car wreck we still have a prediction problem. John might be
killed in the car wreck; death cannot be excluded as a possibility for John anymore
than extinction can be excluded as a possibility for the species. But human
lives often take strange, unexpected twists and turns. There are quite a number
of possibilities for John that may seem a bit farfetched, but for which there
is plenty of human precedent.
Suppose, for
example, that John only nearly dies in the car wreck and that while he lies
trapped in the wrecked Firebird he has a classic near-death experience. From a
disembodied distance he views his mangled body and the wreck of his car. (If
this description of an NDE seems like New Age confabulation then you need to do
your homework on NDEs. NDEs, including comprehensive life reviews and
verifiable remote viewings, have happened when people had no measurable
electrical activity in their brains.) He travels through darkness toward a
light. A being approaches John from whom he feels unconditional love. John is
guided through a complete life review and as he re-experiences encounters with
others he is aware of what they are feeling and how they are being impacted by
his actions and energy. Much of what he learns is devastating and he sees how
arrogant and often cruel he has been in his life, but he also sees how he was
influenced to be that way and has a new compassion and understanding for his
own flawed nature. He is given a choice of going toward the light or returning
to life on earth. EMS technicians resuscitate his body and John emerges from
his NDE with the recognition that life is more meaningful and valuable than he
ever imagined.
Such a
scenario, however unlikely, cannot be excluded as a possibility. There are
countless real-life case histories of NDEs creating lasting spiritual
transformations in people who had hitherto led dissolute lives. The point is
that knowing John is self-destructive and that he is heading toward a very
serious car wreck is not enough information to predict his future. We can say
with certainty that, like his species, John is in serious trouble and due for
radical changes. John and his species are speeding toward a critical nexus, but
what will emerge on the other side of this event horizon remains to be seen.
Of course,
what is lacking in this analogy is the whole range of middle possibilities,
that gradient of gray tones. Suppose John survives the wreck only to become
more bitter and negative. Or perhaps he survives the wreck and it moves him
toward the functional maturity of an adult, but without much of a spiritual
transformation. This may seem counterintuitive, but I think the middle range
possibilities are less likely than the extremes. I believe that some
individuals, and some species, are so highly charged that when they hit the
bifurcation point they are most likely to emerge greatly transformed (higher or
lower).
To continue
our thought experiment, let's consider what type of additional information
would improve our chances of predicting where John is going. For example, if we
could extend the theoretical limits of medical technology so that we could
continuously monitor every aspect of John's physiological condition that could
be turned into a number---not just pulse and blood pressure, but also the most
minute fluctuations of blood sugar, liver enzymes, neurotransmitters, etc. We
would now have megabytes of hard, objective information about John pouring in
every second.
Access to
objective, physical information of this sort would probably be a delight to a
neurological materialist, one of those folks currently crowding our
universities and citadels of science who believes that human consciousness is
an illusion and that we are essentially a byproduct of neurochemistry suffering
from delusions of grandeur. With this new source of information about John, the
neurological materialists would be able to show endless correlations between
fluctuations of John's neural peptides and his affective states. But would they
be able to tell us where this carbon-based automaton, John, is headed? When
Einstein was asked whether we would eventually be able to understand the
universe exclusively in terms of numbers, his reply was yes, but it would be
like trying to understand a Beethoven symphony in terms of variations in air
pressure. Now imagine trying to use variations in air pressure to predict a
symphony that has never been heard before, one that composes itself moment by
moment and is altered by being observed.
To extend
the analogy once more to the species let's suppose we had instantaneous access
to every number in every database on the planet. Suppose we sat in the basement
of the Pentagon surrounded by a thousand Cray mainframes with quadrillions of
gigabits of statistics on global population, meteorological data, economic
trends, market research data, etc. pouring in by the nanosecond. At a moment's
notice we could determine copper sulfate consumption in Eastern Romania in 1959
accurate to six decimal places, or the number of males between the ages of 33
and 38 with peptic ulcers who purchased a major brand of dandruff shampoo with
a Visa card last Wednesday. How much would this help us predict where the
species was going?
Let's return
to John for a minute. If detailed, objective information about John's body
doesn't tell us where he's going, what information could we add to John's case
history that would focus our intuition and allow us to speculate intelligently
about his future? Is there a source of subjective but global information that would reflect what
is happening on the deepest level of John's soul? The source I'd like to
recommend for consideration is John's dreams. For three or so hours a day
John's psyche generates its own universe, a parallel dimension where the
deepest aspects of his being are given form.
So
let's consider one of John's dreams. John finds himself standing in the
clearing of a forest. The sky is turning very dark. Underground tremors occur
and escalate to where the earth seems to be shaking itself to pieces. There is
fire and lightening and it seems to be the end of the world. Then everything
calms down. The sky clears and now a large white eagle comes spiraling down
from above. In its talons it holds a golden egg with a glowing aura. Carefully,
it deposits this egg in a nest at the top of a great tree.
This dream
suggests that John's current self-destructive crisis, as represented by the
darkening sky and earthquake, might be a rite of passage from which John may
emerge spiritually transformed---the eagle bearing a glowing, golden egg.
John's self-destructiveness now seems a necessary part of an evolutionary
process, and we can speculate that he will bring his life to the brink of
destruction but will emerge spiritually transformed. Of course, this is still
only a speculation, but it has a certain intuitive confidence.
Dreams of the
Collective
The dream attributed
to John was an actual dream reported to me by a young man about John's age. In
his case, the dream may have had a meaning more collective than personal. And this brings us back full circle to our
species for which John's case was intended as analog. If a dream was the most
useful source of information for speculating about John's future, what source
of information would have the analogous function for a species? The answer Carl
Jung provided was that myths are to the collective what dreams are to the
individual. A myth, therefore, is a kind of collective dream.
The work of
Jung and his followers demonstrates convincingly the existence of a collective
unconscious[1].
From this collective layer of the unconscious emerge the great, primordial
images Jung referred to as the "archetypes." Across cultures
and periods we find endless variations of these archetypes. The archetypes may
appear as dreams or visions, especially in the fertile psyches of artists,
poets, mystics, writers, shamans and prophets. Through such individuals the
archetypes become myths and diffuse throughout a culture.
The dreams
of an individual in crisis will tend to be dynamic, highly charged, and
revealing of the deepest essence of the inner process. Similarly, the mythology
of a culture in crisis will be intense and revealing of forces shaping
collective destiny beneath the world of surfaces and appearances. Furthermore,
the realms of dream and mythology will typically parallel or overlap. For
example, while Jung worked as an analyst during the era of the Weimar Republic
he found that Wotan, in Germanic mythology a god of war and mayhem, was
occurring frequently in the dreams of his educated, highly civilized German
patients. Jung was very disturbed by this phenomenon, which he called "Wotanism."
Based on the emergence of this archetype Jung was able to correctly predict the
future shape of irrational forces brewing in the German psyche. Meanwhile, many
people in various governments who had access to all sorts of statistics,
experts and specialists, were found napping, their sleepy heads buried in the
sand at the shore of the collective unconscious when the Nazi tidal wave seemed
to swell out of nowhere. And surfing at the very top of this tidal wave was a
pale, homely looking fellow who began his career as an unemployed artist making
daily trips to the occult bookstore. Steeping himself in black magic, young
Adolph gained malevolent access to the collective unconscious, adapted an astrological symbol,
the Swastika, as the symbol of his world domination cult, and the rest, as they
say, is history...
Down the Rabbit Hole
Before we descend, however briefly, through the rabbit hole to encounter the Singularity Archetype, I would like to suggest an invaluable piece of equipment to bring along. Besides all the critical faculties that you bring to bear on this or any other document you read, an encounter with an archetype also requires a deeply intuitive truth sense. As you approach an archetype you will feel a resonance within, a sense of uncanny familiarity and recognition. The Hero with a Thousand Faces is the memorable title of Joseph Campbell’s classic book on the hero archetype. Campbell was being numerically modest because every archetype has billions or trillions of faces. These myriad faces are the individual permutations or manifestations of the archetype, like facets allowing you to look into the prismatic depths of a jewel that can dazzle and overwhelm.
During our brief journey we will have time to look through only a few faces/facets of the Singularity Archetype. Hopefully these few vantages will allow the reader to triangulate the essence of an ever-shifting vision. At most, a fundamentalist looks through a single facet of an archetype and concretizes a single face he has been conditioned to see there. The Jungian approach, however, is to realize that each facet involves its own prismatic distortions of the archetype, like a series of cubist paintings of a single subject. Unlike the fundamentalist, the Jungian doesn’t attach to the idiosyncratic reflections of particular versions, but attempts to see the essence that unites the myriad manifestations of the archetype.
As I mentioned before, “John's
dream” was an actual dream reported to
me by an intelligent young man a few years ago. I believe that this
dream is an example of what I call the “Singularity Archetype.” This archetype
is a resonance, flowing backward through time, of an approaching Singularity in
or at the end of human history. This Singularity will be a critical point where
transformation, in ways impossible to fully anticipate, will greatly shift
human consciousness and therefore the nature of "reality." From an
ordinary, grounded human perspective this Singularity may be perceived as
apocalyptic extinction.
As with all
archetypes, visions of this approaching Singularity occur in a variety of permutations.
When an archetype emerges from the collective unconscious it is colored by the
cultural conditioning, personal unconscious and unique individuality of the
psyche perceiving it. Attached to what I will hereafter refer to as the "Singularity
Archetype" is a constellation of archetypal elements, a developing
mythology of a new step in human evolution. These elements reflect changes
occurring as we approach the Singularity. The Singularity Archetype is found in
the prophecies of great religions and tribal cultures, and many who feel it
approaching see it through the particular lens of their religious or cultural
tradition. An evangelical Christian, for example, may speak of Armageddon and
the Rapture.
While most perceive
the Singularity through religious prophecy, it is also possible to view it from
a nondenominational vantage. We can do this by looking at a variety of
traditions and observing their parallelisms. A recapitulation of the prophecies
of various religions and traditions, however, is a tricky business, and well
outside the scope of this book. Capsulated summaries would do injustice to the
rich complexity of these traditions and would necessarily have to gloss over
interpretive controversies and varying points of view. You may already have
some familiarity with some of these traditions, and if not, there are countless
sources you can investigate.
It may be
more helpful to view this Singularity through the eyes of modern individuals.
We have already considered "John's dream" In this dream, apocalyptic
events---earthquake and the darkening of the sky---transform into the descent
of a divine form---an eagle bearing a glowing, golden egg. There is an obvious
suggestion here that destruction will become cosmic rebirth. Alongside this
example, let's consider a couple of dreams recorded by one of Jung's most
brilliant colleagues, Marie Louise Von Franz, in Jung’s classic
introductory work: Man and his Symbols.
Two Dreams
Von Franz describes two dreams reported to her by someone she describes
as "...a simple woman who was brought up in Protestant
surroundings..." In both dreams a supernatural event of great significance
is viewed. But in one dream the dreamer views the event from below, standing on
the earth, in the other dream she views the same event from above.

(The dreamer’s painting, from Man and His Symbols
by C.G. Jung.)
In the earthbound dream, the dreamer stands with a guide, looking down at Jerusalem. The wing of Satan descends and darkens the city. The occurrence in the Middle East of this uncanny wing of the devil immediately brings to mind Antichrist and Armageddon.
But
in her other dream, the dreamer witnesses the same event from the heavens. From
this vantage the dark wing of Satan appears as the white, wafting cloak of God.
This white spiral appears as a symbol of evolution. Von Franz describes,
"...the spectator is high up,
somewhere in heaven, and sees in front of her a terrific split between the
rocks. The movement in the cloak of God is an attempt to reach Christ, the
figure on the right, but it does not quite succeed. In the second painting, the
same thing is seen from below---from a human angle. Looking at it from a higher
angle, what is moving and spreading is a part of God; above that rises the
spiral as a symbol of possible further development. But seen from the basis of
our human reality, this same thing in the air is the dark, uncanny wing of the
devil.
In
the dreamer's life these two pictures became real in a way that does not
concern us here, but it is obvious that they may also contain a collective
meaning that reaches beyond the personal. They may prophesy the descent of a
divine darkness upon the Christian hemisphere, a darkness that points, however,
toward the possibility of further evolution. Since the axis of the spiral does
not move upward but into the background of the picture, the further evolution
will lead neither to greater spiritual height nor down into the realm of
matter, but to another dimension..."
Childhood's End
We will now switch facets and view a
third manifestation of the Singularity Archetype through a very different
psyche and medium. The very different psyche belongs to Arthur C. Clarke, who
was originally an astrophysicist and later became famous as a science-fiction
writer. Perhaps Clarke is best known for the novel and Stanley Kubrik film, 2001:
A Space Odyssey. 2001 is one of the most brilliant versions of this
archetype, but we are going to consider an earlier example of Clarke's work,
the classic science-fiction novel, Childhood's End. A science-fiction
novel is a consciously created fantasy, and a very different medium than a
dream, but it is also an especially fertile and open imaginal realm where the
collective unconscious can communicate with modern persons, and a new
mythology, however unrecognized, can collectively express itself.
Childhood's
End begins with the appearance of UFOs in the heavens all over the earth.
Beings from within these craft break through all communications and announce
that they are "the Overlords" and have come to establish peace
on earth. This sounds like ominous news, but the Overlords do establish peace
on earth and, excepting military aggression, do not curtail any human freedoms.
Another curious aspect of the Overlords is that they announce that they will
not reveal their physical form to humanity for two generations---fifty years.
People speculate that they must be hideous and look like giant insects or slime
mold or some other grotesque and horrifying form.
The fifty
years pass peacefully for the human species. The Overlords come to be accepted
and everyone eagerly awaits the day when the Overlords will descend to earth
and reveal themselves. When the long anticipated day arrives the great
spacecraft descend. With some ceremony, the Overlords emerge and to the uneasy
surprise of the human species they look exactly like gigantic devils with
horns, tails and great ebony wings.
This
decidedly mythological element is fascinatingly incongruous with the setting of
technological materialism stereotypical of the science-fiction genre. What is
the meaning of a specter from the Christian and pagan past reemerging in the
world of the future? Clarke gradually reveals that the Overlords’ alarming
physiognomy is simply the result of their physical adaptation to the
environmental conditions of their planet. The Overlords are actually perfectly
benevolent and are far more rational and intelligent than humans.
The
Overlords are servants of the "Overmind," a cosmic
intelligence permeating the universe that is Clarke's naturalistic God concept.
The Overmind employs the Overlords as midwives. When the Overmind senses that
an intelligent species is about to make the evolutionary jump into higher
consciousness it sends the Overlords to their planet to supervise the process.
This evolutionary process is apparently volatile and unstable, and if not
properly supervised could result in disastrous consequences whose effects would
reach far beyond the particular world on which the process occurs. The fact
that the Overlords have the appearance of a deep ancestral archetype of evil is
described by Clarke as, "...a race memory of a future event."
The human race has a premonitory fear of the Overlords because it senses that
their arrival signifies the end of the genome, the obsolescence of the species
in its old form. From the earthbound perspective of the conservative old form,
this evolutionary birth is apocalyptic and evil.
The
Overlords, though infinitely superior to humans in every perceivable attribute,
are themselves barren and unable to manifest the evolutionary birth process that
it is their perpetual task to oversee. On earth, in addition to keeping human
beings from destroying each other, the Overlords have a secret task, to search
for an extraordinary individual who will be the first human being to exhibit
these evolutionary changes. This individual is referred to as "Subject
Zero" and the concept seems close to a naturalistic version of
searching for the Messiah.
As part of
this search, an Overlord named Rasheverak pays a visit to an American man who
has one of the largest privately owned collections of books on parapsychology
and the occult. Rasheverak is interested in this library because he is looking
for any examples of extraordinary functioning that might indicate the emergence
of Subject Zero. Like any intelligent, skeptical reader of such material,
Rasheverak finds that it is often difficult to sift the truth from the abundant
nonsense.
During Rasheverak's visit, the library owner has
several houseguests who are apparently drawn by the celebrity name-dropping
opportunity of meeting an Overlord. The guests, like the owner, seem to be
narcissistic individuals with a gullible appetite for occult and
parapsychological entertainments. In many ways they seem a prophetic
anticipation of stereotyped New Agers.
Rasheverak,
who has the forbearance of a visiting anthropologist, maintains an observer’s
stance as he witnesses many examples of human foolishness and gullibility. At one point he observes these New-Age types
conducting a séance with a Ouija board. Unexpectedly, something of great
interest occurs. When they ask the Ouija board the traditional question, "Who
are you?" its response is highly suggestive of the collective
unconscious: "IAMALL." The Ouija participants next ask, "What
are the coordinates of the Overlord's sun?" This information had
always been denied the human species and Rasheverak takes sudden interest when
the Ouija planchette spells out the correct coordinates. Rasheverak is forced
to conclude that one of these thoroughly mediocre-seeming individuals must be
Subject Zero.
Rasheverak
investigates and discovers that one member of the Ouija séance, a young woman,
is pregnant. Subject Zero turns out to be her unborn child. When Subject Zero
is born he exhibits numerous special powers. His Messiah-like status is short-lived,
however, because all the children born after him also have similar powers. The
children quickly evolve and become more powerful, and their psyches merge to
form a collective consciousness. The children materialize themselves on one
continent and join hands forming a giant moving spiral. Older, pre-Subject Zero
human beings are not destroyed, but having given birth to their successors they
become literally sterile and are utterly demoralized by their irrelevance and
inevitable extinction.
When the
children manifest their ultimate evolution and are able to merge energetically
with the Overmind, they appear to the last human being left alive as an aurora
borealis, a white spiral of light in the sky.
Childhood's
End uncannily parallels the three dreams we have considered. In the young
man's dream, darkness and earthquake transform into a spiraling white eagle
bearing a golden egg. Similarly, the dark wing of Satan descends in the dream
of a simple Christian woman, only to be later revealed as the cloak of God. And
all three manifestations envision a white spiral of light in the sky as the
interdimensional, evolutionary portal of the species. A central, emergent theme
is that what seems apocalyptic from the earthbound ego point of view is
revealed from a cosmic point of view to be a transcendent evolutionary
metamorphosis.
I have recorded and studied numerous other
examples of this Singularity Archetype and found the essential pattern repeated
with all sorts of interesting variations. To avoid doubling the length of this
chapter I'm going to have to omit most of them, but I'm confident that if you
keep your eyes open you'll find many examples for yourself. The world of
contemporary culture is intensely mythological; it is only a question of
recognizing it. Tune into the right frequencies and you will notice that
archetypal information about this approaching Singularity permeates our
environment as ubiquitously as radio and television waves. If you remember that
the same tools of symbolic analysis employed in dream interpretation may be
employed in understanding all sorts of cultural manifestations, you will find
yourself provided with endless messages about the approaching event horizon.
UFOs—Harbingers of the Singularity?
Jung on "Flying Saucers"
Like Childhood's End, many of the messages of an
approaching Singularity involve UFOs. Jung, shortly before his death, wrote a
book about UFOs entitled, Flying
Saucers, a Modern Myth of Things Seen in the Sky. Jung believed that
the relative spiritual vacuum and lack of a ruling myth characteristic of the
twentieth century created a great tension in the collective unconscious, an
uneasy tabula rasa on which almost anything might appear. Human beings have
always looked toward the heavens for signs of God or other transcendent beings
monitoring and altering human affairs. Jung was struck by the typically
circular appearance of whatever was seen in the sky. To Jung this suggested the
mandala, an archetypal circular pattern that represented God, self and
wholeness. Jung pointed out that the Sanskrit definition of God is a circle
whose center is everywhere and whose circumference is nowhere. Jung gave to the
UFO field a much-needed examination from the point of view of depth psychology.
He did not presume that UFOs were immaterial, and noted that they often seemed
to reflect radar waves, but he wondered if they might not be physical
exteriorizations of the collective unconscious. Like other archetypal
manifestations, UFOs have the ability to appear in dreams and to haunt or
inspire the imagination.
Holes in the Extraterrestrial
Hypothesis?
Since I wrote this
section I have seen substantial evidence favoring the extraterrestrial
hypothesis, but I include it anyway because there are so many people who assume
that UFOs must mean extraterrestrials in metal spacecraft. In dealing with
anomalous phenomenon and other areas of investigation that are at or beyond the
boundaries of human comprehension I recommend an avoidance of premature
closure. Many people readily adopt some pet theory and then corral evidence and
thinking to support it. I feel that it is wiser to learn to endure ambiguity,
keep the mind open to multiple possibilities and delay the reaching of ultimate
conclusions.
When we investigate
anomalous phenomena we need to always be wary about the human tendency to
project expectations and needs onto the unknown that are generated by our own psyches.
In a technological, materialistic era where the human ego seems to rule, fewer
and fewer people have faith that there is a God watching over the human species
who is ready to intervene miraculously. Speculations about UFOs, such as that
they are the spacecraft of superior beings here to prevent us from destroying
each other through nuclear war, etc. create a secular equivalent of an absent
Godhead. UFOs, as mysterious signs in the heavens, serve as extraordinary
projection screens for people's needs, fears and archetypal visions. Since they
are themselves singularities of a sort, they very naturally become associated
with the Singularity Archetype.
This is not
to imply, however, that they are purely psychological phantoms or that they do
not have a relation to the approaching Singularity that is more than imaginal.
Those who have taken an intelligent look at this phenomenon have recognized
that underneath the hoaxes and manipulated stories, something of significance
is occurring, but its ultimate nature may be beyond the present boundaries of
human comprehension. Be forewarned, however, if you want to do research in this
field. A great deal of the material available is highly unreliable. Many UFO
buffs are gullible true believers, people utterly possessed by their need to
believe a particular UFO mythology. Many others consciously perpetuate fraud
and illusion.
One of
the most insightful people to investigate this subject is the French
astronomer, Jacque Valle. Valle, in his book Messengers of Deception,
and elsewhere, has shown that exploring UFO lore means entering a trickster
world, a carnival of warped mirrors where mental illness, fraud and government
manipulation have layered illusion on top of illusion. Much of the warped
thinking and conscious manipulation, including government manipulation, has the
apparent aim of enforcing the extraterrestrial hypothesis as the ruling UFO
creed. Most of the general public who take any interest at all in UFOs is
convinced that they must be extraterrestrials.
Although no
one can disprove the extraterrestrial hypothesis, the conventional version of
it, that they are aliens in nuts and bolts metal space craft here to do
scientific research or genetic manipulation, is filled with obvious holes. As
Valle points out there have been hundreds of thousands of sightings. If you
assume that the supposed aliens are making efforts not to be detected, then
presumably there must be millions of actual visitations. What program of
scientific research or genetic manipulation could possibly require this much
work? They must be dreadfully incompetent scientists to still be at it so often
after all this time. Also, the idea that they are here in spacecraft, at least
in a conventional sense, is inconsistent with the fact that UFOs are frequently
reported to change shape or merge with one another. And wouldn't such an
advanced technology that wanted to avoid detection have some sort of stealth
capability? Would they really streak across the sky lit up like Christmas
ornaments? The idea that they are technology wielding imperialists, or well-meaning
missionaries, may be a case of our recreating the unknown in our image.
Reality Transformers
The truth about UFOs
is likely far more interesting and significant than some of the threadbare,
conventional alien scenarios. Valle quotes a scientist who describes UFOs as "reality
transformers." Reality transformers may well be the best and most
accurate descriptive phrase that can be applied to UFOs at our present level of
understanding. UFOs are apparently able to appear in a great variety of
different forms to different people and, like an archetype, the variations seem
to have much to do with the belief system and cultural conditioning of the
perceiving psyche. Valle compares observing the UFO phenomenon to looking at a
screen in a movie theater. You look at the screen and all sorts of fantastical
images pass before your eyes. But to really understand what's going on you need
to look over your shoulder back at the projector, the source of all the
endlessly varying images.
UFOs seem
more akin to projectors, capable of projecting all sorts of thoughts and images
into the human psyche. The human mind, especially in our materialistic culture,
is prone to take what it sees very literally. In the UFO world you can see an
obvious inverse relationship between intelligence and how literal and specific
a person's alleged knowledge of UFOs is. On one side of the spectrum, the most
conscious observers acknowledge that UFOs are
unknowns about which we can make some general speculations. And on the
other side are those who know the names of everyone on the Pleiadian high
council and who are channeling the most detailed information about superior
beings who apparently live on worlds remarkably similar to those of grade B
science-fiction movies from the 1950s.
Valle and
others make a convincing case that the source of the UFO phenomenon is not new,
that it has been involved with human culture throughout human history. Many of
the miraculous experiences and visitations recorded from the past may well have
been the same phenomenon viewed through psyches conditioned by differing sets
of cultural values. We live in an age where magic takes the form of technology
and where we launch crude metal spacecraft into the heavens. Unimaginative
psyches will tend to view UFOs as an advanced extrapolation of present
technology and human motivation. The manifestations of the phenomenon are
probably not, however, reducible to the psychological expectations of the
witnesses. The phenomenon seems to have an ability to actively, consciously
form its own manifestations. Rather than merely reflecting cultural values it
may actually be adapting and manipulating them. Think again of the analogy of
the movie projector. Movies both reflect and manipulate cultural values.
There is
evidence that UFO phenomena, like dreams, are intelligently formed, and are
both profoundly aware of the psyches to whom they communicate and capable of
exerting powerful influence on them. Like dreams, the phenomenon is real and
capable of leaving physical traces and effects. Dreaming is associated with
profound energetic changes in the brain easily observed on an EEG. The
supposedly solid world of the waking life, as we now know from physics, is actually
composed of patterned energy and is comparable to a holographic projection.
Dreams are also patterned energy, and in many ways it is merely cultural
prejudice to view them as "less real" than the waking reality.
UFOs seem to
obey the physics of dreams far more than the old fashioned Newtonian physics,
which we expect solid, metal spacecraft to obey. The physics of dreams, where
consciousness and reality are inextricable and the universe is infinitely
plastic and mutable, is far closer to the universe revealed by quantum
mechanics, although both defy our conventional understanding of reality. As
J.B.S. Haldane put it, "Reality is not only stranger than you think,
it's stranger than you can think."
UFOs are
powerful reminders of that inconceivable strangeness. It might be very
comforting to our innate conservatism and limited imagination to view them as
high-speed metal containers bearing "aliens" who stand upright and
have two arms, legs and eyes, and familiar human motivations such as curiosity
and conquest. But reality is not necessarily as limited as the imaginations of
UFO buffs. The evidence seems more supportive of UFOs traveling interdimensionally
rather than through long distances of space. They may be just as able to travel
through inner psychic space as outer space. Far more likely than their being
metal spacecraft, they may be organisms in a more energetic state than we are,
or the projections of a consciousness of some sort.
(I am no longer as dismissive of the
extraterrestrial hypothesis as I was in 1996 when I wrote the section
above. There seems to be substantial
evidence for both the reality transformer aspect and more tangible, physical aspects)
Strange
Parallels—UFOs, Near Death Experiences, and Psychotropics
Dr. Kenneth Ring, a
scientist who has devoted most of his career to formal research on Near Death
Experiences, has shown that there are striking similarities between NDEs and
UFO experiences. Many of the stages, and lasting effects of NDEs and abduction
experiences have strong correspondences. For example, in both types of
experience people often report seeing a vision of the earth being destroyed and
emerge from the episode with a new and lasting commitment to environmental
work. William Buhlman[2],
who has studied thousands of Out of Body Experiences (OBEs), has pointed out
how much they resemble, and might be confused with, abductions. Terence
McKenna, a visionary genius with much to say about many of the topics discussed
in this chapter, has shown connections between UFO experience and the
experience of psychotropic hallucinogens. Terence refers to the effects of
certain hallucinogens as "UFO experiences on demand." Although
McKenna does have a tendency to overgeneralize from his particular experience,
he does demonstrate convincingly that chemically altered mind states are valid
access channels to the source of UFO phenomenon. People in deep states of
meditation, or in traumatic situations of various sorts, often report
nonordinary perceptions of reality that are radical departures from the
prevailing societal view and yet are often highly consistent with each other.
Therefore, rather than viewing the UFO as a peculiar anomaly occurring in an
otherwise stable and homogenous reality, perhaps we should view them as yet
another exception that shows us that our perception of reality is woefully
lacking in general.
The so-called
postmodern approach to UFOs is to study what effect they are having on us
rather than what they are. There is a certain validity to this approach because
the nature of UFOs may be beyond human comprehension at this point.
Nevertheless, I think there is value in our continued speculations about what
they might be, keeping in mind that speculation may be an imaginative exercise
while we struggle to understand something that is "...stranger than we can
think." In that spirit, I'd like to offer my own wild speculation about a
possible "what" in relation to UFOs. Before I do, I want to be
absolutely clear that this is pure speculation without a shred of evidence. I
would consider it more a catalyst for further imaginative speculation than a
finished hypothesis.
Vision of a Multiply Incarnate Organism
My speculation arose
from a vision I had of a roughly circular organism. The organism was composed
of a series of highly differentiated connected organs. Each of these organs was
actually a separate incarnation or lifetime of this organism viewed outside of
linear time. An analogy would be to viewing a human being outside of linear
time. Rather than seeing a snapshot of a person at a particular age in a
particular frozen moment of time we might see the full lifecycle---a fertilized
egg connected to a fetus connected to an infant, a child, an adolescent, a
middle aged person, an aged person, a corpse. Yet this picture of the human
lifecycle would still only represent that portion known to us, the interval between
birth and death. We don't know that the human lifecycle is completely contained
between a single birth and death and there is much reason to think that it
isn’t.
The
circular, manifold incarnate organism I saw presented itself to my mind as the full
lifecycle of a being for whom human incarnation was one phase or organ. Outside
of linear time all the incarnations or organs were perceived as connected and
in a state of simultaneous interdependence and influence with all the other
organs and incarnations. Human incarnation was an organ far closer to the
"head" rather than the "tail" of this Ouroboros–like organism.
In other words, human incarnation was a more conscious, differentiated organ of
the body in much the same way that the brain is a more conscious,
differentiated organ than the liver. Another analogy would be to the brain
itself where we see a living manifestation of the principle, "ontogeny
recapitulates phylogeny." More evolved structures, like the neocortex, are
built on top of more primitive structures such as the hypothalamus. But in this
manifold incarnate organism human beings were not the most advanced organ or
incarnation. Ahead of us were the beings behind the UFOs. And this “alien”
incarnation or organ is the most conscious and most aware of all the organs or
incarnations.
Evolutionary Design Limitations
Since we're
indulging the bizarre, let's go off on a tangent for a paragraph or so. Michael
Murphy, in his seminal book on human evolution, The Future of the Body,
discusses the work of certain theorists in evolutionary biology. These
theorists claim that some species have fundamental design limitations or flaws
that will not allow them to ever evolve the degree of intelligence human beings
have. Marsupial brains, for example, lack the corpus callosum, the dense bundle
of nerve cells that connect the left and right hemispheres of the human brain.
This neurological limitation means that the marsupial brain can never have the
relatively excellent communication between hemispheres that the human brain
usually enjoys. But, these theorists continue, the human brain may also have a
fundamental design flaw limiting our further evolution or even survival. The
structure of our brain is a kind of retrofit where a mammalian brain is
superimposed on a reptile brain and the neocortex is retrofitted onto the
mammalian brain. The neocortex, said to be the center of our self-reflective
consciousness and ego, believes itself to be the head honcho, but unfortunately
it has very poor communication with some of the earlier structures that control
appetites and aggression and so forth. Anyone who goes on a diet discovers that
the neocortex and its creation---the cognitive ego with all its powers---are
not necessarily a match for the reptilian brain and its relentless will to
defend body weight. Similarly, our sexuality seems largely beyond ego control,
and for all our civilization and wisdom our ability to restrain territorial
aggression has not prevented world wars and the possibility of our making
ourselves extinct through technologically amplified territorial aggression.
Poor communication between higher and lower brain structures may be a
fundamental design flaw in the human species that may result in our eventual
extinction.
One White Crow
On the other hand, I
take the theories of many evolutionary theorists, especially if they are
neurological materialists, with many grains of salt. In fact, there's an
obvious flaw in the aforementioned theory. As William James once said, "One
white crow is all that is needed to disprove the notion that all crows are
black." If we have even a single human being---Jesus, Buddha,
whomever---who has overcome the problem of poor communication between brain
structures, or whose consciousness transcends appetites and aggression, then
there is the possibility that the species can also transcend this limitation.
But, if the fatalistic conclusion of the theory is flawed, the problem it
describes bears an interesting analogy to my speculation about manifold
incarnate being.
In the way that I perceived the manifold incarnate organism, all the organs/incarnations are interdependent. Therefore, the health and fate of the “alien” incarnation is also dependent on the status of the human incarnation. I'll further speculate that the human incarnation is the adolescent phase of development, a crucial juncture on which the fate of the entire organism depends. The alien part of the organism recognizes that although there is interdependence, there is poor communication between organs or incarnations. It is capable of communication and is seeking to contact us through inner and outer space to make us aware of things crucial to our fate and that of the larger organism.
The “aliens” in this model may
actually be dead people. A part of the
lifecycle of the human being about which we have much uncertainty is the post-death
phase. As Terence McKenna has pointed
out, if we wanted to look for an ecology of souls, an intelligent species that
seems to be very interested in our evolution, by the principle of logic known
as Ockham’s Razor we seek the simplest hypothesis that accounts for all the
facts. Our species is a source of
intelligent souls that we know for certain exists and is interested in its own
evolution. Perhaps the “aliens” are
merely us in an after-death phase of incarnation. When Terence showed pictures
of grey aliens to tribal shamans in the Amazon they replied, “Oh, the
ancestors.” People who have abduction experiences frequently report seeing
deceased relatives in the company of the grey aliens.
UFOs—Evolutionary Messages
UFOs seem to bear
many messages related to our further evolution. In recent decades, the UFO
beings that contactees experience frequently have a stereotyped appearance that
UFO buffs used to call "the Delta type humanoid" and that is
now more commonly known as "the Greys." What is perceived is
an androgynous being with huge almond-shaped eyes, a somewhat ethereal, willowy
body and a small, almost vestigial mouth. The beings typically communicate
without spoken words. This characteristic appearance may be a message
anticipating an evolutionary future where we have transcended ordinary language
and gender limits, and our body is moving from matter toward a more ethereal,
energetic state. As mentioned before, people who have UFO abduction experiences
are frequently shown images of the earth's destruction by manmade causes and
are influenced by these visions toward a much greater awareness of our
interdependence with the planet. Many will devote themselves to environmental
causes after these deeply affecting experiences. Another typical theme of
abduction experiences involves genetic manipulation, and particularly the
cross-fertilization and hybridization of human and alien species. This is often
presented as a symbiotic evolutionary step or of actually having greater
benefit for the supposedly superior alien species. These experiments could be
interpreted as metaphorical communication of our need to evolve and to merge
with this other consciousness. Whatever the source of UFOs, they do seem to be
bearing a message that we are at a critical nexus and need to evolve. But once
again, they remain, perhaps appropriately, in a realm of imaginative
speculation. Their nature may not be understood until we have evolved further.
(Twelve years since writing that, I am
now more impressed with the physical evidence of the Greys, and would not
emphasize them as evolutionary metaphors so much as I did above. Some of the
physical evidence seems more impressive now than it did then when I was more
influenced by Valle, McKenna, and Jung on the subject. For example, abduction researchers have found
that areas where abductees claim to have been touched by Greys will fluoresce under
UV light, and Dr.
Roger Lier has removed implants from people that laboratory
tests have found to be composed of anomalous materials.
Dr. David Jacobs, a Temple University professor of history, also
seems a very credible researcher who has investigated thousands of abduction
cases. Stanton
Friedman, a nuclear physicist, also strikes me as highly
credible with vast knowledge of the field. While I haven’t personally vetted any
of this research, I have been impressed in recent years by how well grounded
some of the best researchers seem to be.
Further Speculations on Human Evolution
Our need to evolve
may express itself in ways that seem paradoxical and disturbing. For example,
there is much reason to believe that this evolutionary rebirth may become
possible only as we push the species toward the brink of extinction. If you'll
continue to indulge me, I'd like to offer some further speculations about human
evolution.
The Last Great Evolutionary Jump
The last great
quantum jump in evolution on this planet was the development of the human
capacity to think in words. Many linguists believe that human language
originated at one time and one place. They are able to trace all languages to a
single, root language known as Primo Indo European. Noam Chomsky and others
have pointed out that all human languages are essentially the same on the level
of deep syntax.
One way of
imagining an evolutionary jump is to consider the possibility of an individual
mutation that is capable of superior functioning. Most mutations, of course,
are disadvantageous and bred out, but occasionally, even random mutagenic
forces can generate something superior. This model wouldn't work very well for
the evolution of language, however, which is a collective phenomenon. A single
mutation capable of language wouldn't have anyone to develop language with.
Therefore, one can speculate that the structures in the brain that allowed the
capacity for language developed gradually, and that for a long period of time
some latent capacity for language existed in a great many individuals without
it being manifest. One possibility is that some tribe or grouping of early
humans was experiencing acute stress. There are numerous possible scenarios in
which the tenuous survival of the tribe could be threatened enough to make
extinction and complete loss of the genome possible. With this ultimate pressure acting as a
catalyst, the long latent capacity for language becomes manifest as a new
survival adaptation. The superior consciousness and communication allowed by
this adaptation allows the tribe to survive. Perhaps the advantages incurred by
this adaptation allow these humans to overtake competing hominid species or
other human tribes that lack this development. This scenario may have an
analogous relationship to the present situation of our species.
Organisms and Change
Putting aside our species in
particular for a moment, let's consider in general the nature of organisms and
change. Organisms are extremely complex patterns or structures, living
processes rather than fixed objects. The coherence of these extremely complex
processes is constantly being threatened by various insults---attacks by other species, weather and
climate change, cosmic rays, environmental toxins, etc.---that can
degrade the coherence of the entire pattern/organism. Enough degradation of
this coherence and the process may completely destabilize as in disease and
especially in death, where there is the most radical apparent loss of coherence
and complexity. Organisms, therefore, are conservative in nature, striving to
maintain their inner coherence. Biologists refer to this drive toward
maintaining inner coherence as "homeostasis." Similarly, a
species seeks to ensure the survival and reproduction of its genome---a
coherent genetic pattern changing relatively little between generations.
Human
individuals are obviously also organisms. If we change our frame and look at
the human species, or at the human psyche, we are still viewing an organismic phenomenon,
an extremely complex living process. Both Freud and Jung agreed that the human
psyche is essentially conservative. The psyche has its own homeostasis, a
powerful drive to maintain its coherence and particular identity. Generally, it
strives mightily to maintain that coherence and resist change. An organism will
defend homeostasis even if that homeostasis is unsuccessful in some ways. A
neurotic psyche, for example, will maintain its coherence, including
pathological aspects that produce much suffering and that could be changed.
Better the devil I know than the devil I don't know. Addicts remain in their
addictions. People stay in their comfort zones even if they are suffocating in
them. The human psyche is a complex and vulnerable structure living in an
acutely stressful environment. Most people maintain their feelings of sanity
and manufacture a socially acceptable identity by strained, tenuous repression
of the irrational. All sorts of powerful, unconscious forces that don't fit
into the model of themselves society has trained them to create must be
repressed. They may feel about change what a sentient house of cards might feel
about gusts of wind.
The
collective psyche of a society or culture can be even more resistant to change.
And when such conservative psyches, individually or collectively, sense the
approach of a singularity that will thoroughly punctuate their equilibrium, they
perceive it as apocalyptic. And their perception may not be far off, as
powerful change may require apocalyptic shocks. An analogy to such a
threatening level of change can be drawn to tribal rites of initiation. Many tribal cultures take an adolescent and
put him or her through life-threatening experiences. They blow down the whole
house of cards so that a new structure can be formed. For example, one tribal
practice is to give someone what's called an ordeal poison. Initiates are given
a poison that will make them feel horribly ill. At first they will be certain
they are dying, then they will suffer so intensely they will beg to die, and
then they will completely recover. A physiological apocalypse is created and
then it disappears and a transformed psyche emerges. Perhaps the human species,
sensing its adolescent crisis and need of initiation, is creating its own
global ordeal poison by toxification of the environment.
Terence McKenna and the Attractor Point
Terence
McKenna (1946-2000) has written a number of fascinating books that make similar
speculations about evolution[3].
The parallels to the conclusions I've reached through different means are so
numerous that I can only conclude that we are either experiencing exactly the
same form of mental illness or are perceiving the same truths. McKenna, for
example, refers to what I call the Singularity as either "the end of
history" or as "the strange attractor." McKenna
adopted the term "strange attractor" from chaos mathematics. A
strange attractor is apparently an event in the future that is able to
bend and warp causality toward it. Although from the point of view of linear
time it is an event that has not yet occurred, its influence is pervasive.
I can't
pretend to have much understanding of chaos mathematics, but an analogy occurs
to me that what the strange attractor is for the life of the species, death is
for the individual. Death is a strange attractor in the life of every
individual. While we live, death is obviously a future event that has not
occurred but which is inevitable. Our mortality, the fact that we move
inexorably toward that attractor, shapes and influences every aspect of our
lives. Also, although it is definite that we must pass into that attractor, the
moment it will occur and the manner of our passing are not necessarily
determined. The inevitability of the attractor is beyond our free will and
individuality, but the time and manner of it are often influenced by our
choices and personality. I can't choose whether or not I will die, but the way
I care for my body, the life choices I make, the risks I choose, the option of
suicide, all demonstrate that the attractor may not be fully determined outside
of my will. Like entering a singularity in space, we also don't know for sure
what will happen when we pass the event horizon of death. Spiritual teachings
from many cultures and periods, NDEs, etc. suggest that death is a doorway.
Where we go when we pass through that doorway may be influenced by choices we
make in life. Neurological materialists and other pessimistic types view death
as a dead end, as one put it to me, "It's just lights out and that's
it." From the untranscendent
vantage of the ego, the strange attractor of death is viewed as an apocalyptic
extinction. Similarly, our species is heading toward a strange attractor. Many
view it as extinction---unredeemed apocalypse. But others view it as a doorway.
Where we go when we pass through that doorway may be greatly influenced by the
choices that we make now.
One of the reasons
that prophecy has been so unreliable relates to the perpetual confusion in the human
psyche between the inner world and the outer world. The confusion is only to be
expected given that there is often a blurred boundary between inner and outer.
Inner and outer converge through synchronicity and through many causative
mechanisms such as self-fulfilling prophecies.
The most classic confusion of inner and outer is interpersonal
projection. We project some disowned
part of ourselves on to another or others.
For example, a man may project the disowned feminine aspect of his soul
onto a beautiful woman he sees walking down the street. He looks at her and feels this sense of
eternal recurrence---she was meant for
me, I’ve known her from other lifetimes. In a sense, the perception is
correct, this aspect of his soul is meant for him, and it has been with him
from time immemorial. The incorrect
part, and it can be disastrously incorrect, is the confusion of the inner and
outer, the acting out interpersonally of what is intrapsychic. Most interpersonal violence, as well as
genocide and other forms of collective violence, occur in a state of shadow
projection, where disowned and dreaded parts of oneself, or of the collective,
are projected onto a despised other or another race, etc.
Anything with a strong emotional charge in the psyche, and especially if the charge is strong and uncomfortable, will be projected outside. One of the strongest charges in most psyches is anxiety about death. A classic projection is for a person to feel their own mortal vulnerability, the imminence of their own death that may come at any time, and to attribute that feeling to the world. I can feel it, this is all temporary, this world is going to end; I am living in the end times! Again, the perception is correct except for the confusion of inner and outer. Every mortal is always living in end times, death is always imminent and even if any of the many possible causes of premature death are avoided, the years left are still only a one or two digit figure. The uncomfortable feeling of perilous temporal fragility must go somewhere and an end of world prophecy is like a lightning rod for this intensely uncomfortable inner charge.
Like a fractal or a hologram, the life cycle of the individual to some extent recapitulates the life cycle of the species. An individual has a certain limited life span before they cross the event horizon of death, and a species also has a limited life span before it becomes extinct. I’ve heard that the average life span of a species is 100,000 years. Because of the parallelism, it is easy for someone to confuse the imminence of personal death with collective eschaton. This confusion is also well motivated as it seems to displace much of the individual anxiety about death, which is usually faced alone, onto a “we’re all in it together” general event that has strong elements of high drama and excitement associated with it. Instead of a feeling of powerlessness about the inevitability of one’s own death, the prophet feels empowered by his sense that he has been privileged with secret knowledge withheld from the common person. Also, the ego is very concerned about its place in the social hierarchy and is appalled by the idea that it could cease to exist while others continue to live. If everyone checks out at once, however, then death involves no such social humiliation. Even better, if there is some sort of Rapture, where the ego is part of an elect that becomes immortal while others of the sort the ego doesn’t like are annihilated or left behind to deal with the Antichrist and Armageddon, then personal anxiety about death gets channeled into an all-satisfying scenario. For these powerful psychological reasons, prophecies of the end of the world usually seem to be conveniently scheduled to occur before the end of the prophet’s expected lifespan, allowing the eschaton to upstage anxiety about personal death.
Many years after I formed this
hypothesis I heard of an episode that gave it anecdotal support. In the 1960s
there was a well-known woman psychic (but not Jean Dixon) who had a nationally
syndicated newspaper column. She had a vision that a gigantic earthquake would
destroy most of California on a particular date and reported this in her
column. In copycat fashion, other psychics began to predict a quake on the same
day. This woman was sincere in her prediction, and at great expense she relocated
her family from the Bay Area to Nevada. On the predicted date there was no
earthquake, but the woman died of some rare disease.
Approaching the Singularity
To engage another
speculative area, let's consider what may happen as our species approaches the
evolutionary event horizon. Our present world may be viewed as being in a
rather tense position between realms of matter and of spirit. Much in our world
can be explained by Newtonian physics and a very mundane, mechanical model of
reality. But those of us not actively trying to repress the atypical notice
that there are many white crows in our world. Anomalous events occur that can't
quite be explained by coincidence or cause and effect. Yes, the fields of
parapsychology and esoteric studies may contain a certain amount of nonsense
and unproven assertions, but if we have even a single authentic instance of one
individual exhibiting telekinesis, communicating telepathically, reaching
another person through their dreams, etc.---just one example in all of human
history---then the door to extraordinary functioning and consciousness is
thrown wide open for the whole species. And many of us can point toward a
number of such events in our lives. A miraculous evolutionary capacity in human
beings, that is mostly latent now, has been manifesting episodically for a
long, long time.
As we approach the Singularity, the
completely inextricable, interdependent phenomenon of human consciousness and
our experience of reality will mutate. Much of the change will be impossible to
anticipate, but some broad areas are available for speculation. We can be
pretty confident, for example, that the human ego will be considerably altered.
Certainly, there are spiritually advanced persons in history or among us right
now who have transcended the limits of ego identification. What is possible for
them is possible for the species. But before we consider the alteration of the
ego, let's consider its evolutionary significance. (This will, once again, be unannotated
speculation, so view as skeptically as you like.)
Although
most evolutionary theorists will resist what I'm about to say vehemently, many
people have noticed that there is some force in nature that seems to generate
greater levels of complexity and consciousness. The creation of the ego has
obviously had some unpleasant consequences, but it was also an evolutionary
development that allowed for a tremendous increase in complexity and consciousness.
The Future of the Ego—an Evolutionary Perspective
In tribal cultures
the ego seems less developed than in modern individuals living in
industrialized societies. Tribal societies seem to have less individual
boundaries and more group consciousness. Earlier human beings may have had less
ego, but also less individuality and differentiation. A fundamental aspect or
function of the ego is the creation of isolation. An individual perceives him
or herself as a separate identity apart from others and the world. This
perception creates a degree of isolation and within this insulating bubble an
explosion of novelty occurs. A highly complex, unique, differentiated, often
pathologized personality develops. Egocentric isolation, like the irritating
grain of sand in an oyster, causes the development of a fantastic structure as
complex buffering layers are accreted around the irritant and the beautiful
pearl of individuality is created.
The ego is a
complex structure and difficult or impossible to define. There is an inevitable
imprecision when we use the term, as different people understand very different
things by the term "ego." From some vantage points the ego
serves crucial functions in the human psyche. The ego has been called “the self-organizing
principle of the organism” and necessary self-reference may not be possible
without it[4].
From other angles we see that the ego is often the carrier of will to power and
destructive intentions. For all the novelty the human ego helped to create, and
the invaluable role it plays in the human psyche, it has also become a very
heavy albatross hanging around the neck of the species. It may now, in its
present form at least, have exceeded its evolutionary purpose and be a species
of psychic structure due for extinction. But the ego, like all organs, clings
to life, and can act with a will of its own. Certainly the ego has a virulent
will to power, and it is no more willing to quietly withdraw than Napoleon at
his prime would be willing to accept life in a retirement home. The dark aspect
of the ego, which is what I will sometimes be referring to when I use the loose
term “ego,” sees itself as God, as apart from the rest of the universe.
It is driven by a will to power, a will to bring external objects, animate and
inanimate, under its control. This pathologized version of the ego doesn’t see
itself as part of a living matrix, but rather looks out at an abstracted chessboard
consisting of real estate, technology and livestock waiting to be owned and
exploited.
The power-oriented
view of the ego is based on the illusion of separateness. Love may be
considered the awareness that everything is connected. Let's consider two
sentences that will illustrate this difference:
"We made love."
"I fucked Jane."
In the
first example, subject and object are merged; there is an awareness of Eros,
connection and mutuality. In the second example we have an unerotic world of
separated subject and object. The ego is the royal "I"
enjoying conquests over beings that are merely objects to be dominated and
controlled. Currently, we are suffering a highly contagious plague of this
noxious type of ego that uses sex as a metaphor for power and views mother
earth as real estate.
For quite some time the ego has
strutted triumphantly across our world consuming and poisoning its mother, the
earth. Like many psychic forces, the ego is able to completely possess certain
individuals. Of some of these, as it's done in the past, it will create
Antichrists who will seek to prevent this evolutionary birth and will do
whatever possible to destroy consciousness, love and life. If they sterilize
the mother, then she cannot give birth to creatures that might take their
place. The ego wants to be the only one sucking on the breast and would much
rather see the mother dead than have her give birth to a more favored, usurping
child. Very likely Antichrists---human puppets of the ego---and the herds of
unconscious, fearful people eager to follow them, will create a good part of
the dark events that will bring us to the edge of extinction. Like Napoleon or
Hitler, the ego can be expected to win many costly battles before it gives up
the ghost.
The Village of the
Damned—the
Singularity Seen through the Eyes of the Ego
Still image
from the movie, Village of the Damned
I have some
personal history with the film, Village of the Damned, and the novel Childhood's
End that may be worth noting here. When I read Childhood's End at the age of thirteen or fourteen I was shocked.
It seemed as if someone had taken what I thought were my most creative and
unusual ideas, which I had planned to turn into science-fiction stories myself,
and stolen them right out of my head! I might have suspected Arthur C. Clarke
of telepathic theft but for the fact that the novel was published four years
before I was born. Knowing nothing at the time of Jung or the concept of a
collective unconscious, I didn't know what to make of this overlapping of inner
and outer worlds.
There
are certain events or occurrences that have what Jung referred to as "numinosity."
Numin means spirit, and that which a particular psyche perceives as numinous
glows with a mysterious, uncanny significance. Reading Childhood's End
was a numinous event for me, and another powerfully numinous event was watching
Village of the Damned on television.
I was somewhere between twelve and fourteen years old and saw the 1960
black-and-white British version, which was an adaptation of the novel The Midwich Cuckoos by John Wyndham. I had seen many, many science fiction and
horror films by that age, but none affected me the way that this one did. It seemed to stir my deepest and most private
obsessions and felt almost like a religious revelation.
By the time I was nineteen, and a senior in college, I set out to understand these numinous visions and was quickly led to a very personal encounter with Jung. A few years ago I described that encounter as follows:
“My first encounter with Jung was intense and had the uncanny stamp of what Jung called ‘synchronicity’ all over it. I was nineteen years old and attempting to investigate certain anomalies. I had had experiences of a parapsychological nature, and found myself fascinated by disturbing fantasies and strange visions, which lit up in my imagination with recurrent intensity, but also appeared, inexplicably, outside of my psyche in sci-fi books and movies. This appearance of artifacts of the inside world materializing outwardly, another example of synchronicity, was especially strange as some of the material pre-dated my incarnation. Arthur C. Clarke's Childhood's End, for example, had been written two years before I was born. Even more disturbing was the British 1960 sci-fi movie, Village of the Damned, which was based on the novel, The Midwich Cuckoos by John Wyndham, published the year I was born. How could fantasies and visions that I thought weirdly peculiar to my imagination turn up in stories that were older than I was?
Unlikely help offered itself to me during the
course of my studies. I was in my last year of college and the Chairman of the
Philosophy Department, though I was an English major, had become my benefactor
and opened doors for me in a highly conservative academic environment, allowing
me to pursue interdisciplinary research projects into obscure, shadowy areas.
But it was actually my mom who suggested that I read what a Carl Jung had to
say about the 'archetypes and the collective unconscious.'
And so I
came to stand before the many elegant black volumes of the Princeton Bollingen
edition of Jung's collected works. But what could this Swiss psychologist, the
son of a minister, who reached manhood in the nineteenth century, say of any
use to a nineteen-year-old Jewish kid from the Bronx who found himself obsessed
with sci-fi fantasies like The Midwich Cuckoos, in which a UFO-related
incident somehow resulted in large-eyed, androgynous children with psychic
powers and a group mind? I scanned the index volume for a minute or so and came
across a late work, Flying Saucers, A Modern Myth of things Seen in the Sky.
That was a bit of a shock, as UFOs were a major part of the fantasies and my
esoteric research. I went right to volume ten, Civilization in Transition,
where flying saucers were considered. This subject seemed to haunt Jung near
the end of his life, and he couldn't let go of it. At the end of the book there
was an afterward, followed by an epilogue, followed by a supplement.
As I
glanced through the supplement my jaw dropped open in amazement. Jung had
devoted this lengthy supplement to analyzing mythological layers of meaning in
John Wyndham's The Midwich Cuckoos! It seemed as if this dead Swiss guy
had stepped out of the bookcase and holographically manifested himself to look
over my shoulder at the same sci-fi story that obsessed me. Even more amazing,
I saw that we had some parallel ideas about what it might mean.”
From the moment of that first encounter, Jung, like a wizard bearing a torch, became my guide as I followed numinous visions of evolutionary metamorphosis down the rabbit hole and discovered what I now call “the Singularity Archetype.”[5]
The Midwich Cuckoos repeats many
of the bizarre particular elements that occur in Childhood's End. They
both open with the appearance of disc-shaped UFOs over the planet. In Childhood's End the Overlords
immediately open communication, but in The
Midwich Cuckoos the UFOs shut down
human consciousness. In a circular area with a very precise perimeter beneath
each UFO, all higher animals, including humans, suddenly lapse into sleep.
After twenty-four hours, everyone who wasn't at the wheel of a car, holding a
hot iron or otherwise in an unfortunate situation for nodding off, wakes up as
if nothing happened. Everyone who didn't have an accident seems unchanged until
some days pass and the village doctor, Zellaby, discovers that every woman of
child bearing age, including young virgins and old maids, has become pregnant.
Again, we are seeing an evolutionary change from the point of view of the ego.
It sees itself in the helpless, unconscious "little death" of
dreamless sleep. And while it is in this helpless, mortal state it is raped and
inseminated by a hostile alien life form.
In the
novel, the character who personifies the ego is the physician Zellaby. He is
the man of science and reason trying to control this irrational, miraculous
event. He sets out, like the Overlords, to be midwife to this evolutionary
birth. Interestingly, the name "Midwich" sounds much like
"midwife" but with the emphasis of "witch"
modifying the second syllable. In this mutation of the word midwife we see the
ego's xenophobic, witch-hunting view of the evolutionary birth. Rather than
being a selfless midwife, it would rather burn the witches, the new children
who possess the dangerous magic and represent change.
Besides his
role as midwife, Zellaby has some other commonalties with the Overlords. He is
obviously more intelligent and technologically sophisticated than the average
human, and he is, like the Overlords, barren. Zellaby and his wife have never been
able to conceive a child. So, at first, the Zellabys greet their pregnancy with
the enthusiasm of Abraham and Sarah receiving a miraculous blessing from God.
With inhuman
speed the pregnancies come to term and all the women give birth to exceptionally
large and healthy babies. But the prodigal infants seem to be racially
different and unique; they have large golden eyes and platinum blonde hair. The
infants grow and develop, physically and mentally, with unnatural speed. It
becomes apparent that they have extraordinary powers. For example, after one
mother accidentally pricks her daughter with a safety pin she is found
compulsively stabbing herself with the pin. Apparently, the superior alien will
of the child mind pressured her into this self-violence.
Homogestalt
Zellaby also
discovers that the children, like the new children in Childhood's End, have a collective consciousness. Collective
consciousness turns up frequently in expressions of the Singularity Archetype
and merits some examination. In Theodore Sturgeon's science-fiction novel, More
than Human, a group of mutants, who each have distinctly different
strengths and weaknesses, form a collective consciousness while retaining some
individuality and become, in many ways, a single entity where each mutant
serves in a specialized role, as if they were organs of a single body. Sturgeon
coined the term "homogestalt" to describe this new entity.
Similarly, more recent abduction testimony has emphasized the “greys” as having
a hive-like collectivity, and this is experienced as another threatening aspect
of their alien otherness.
There are a
number of possible reasons for this collective consciousness motif appearing in
so many permutations of this archetype. One is that it may be a fairly literal
indicator of evolutionary change. If the ego ceases to dominate the human
psyche, then perhaps the boundaries that it creates around the individual will
dissipate and we will become more collectively aware. The shells of the oysters
dissolve and the pearls lie together. From the ego's point of view this would
be a catastrophic loss of personal identity. This is also a typical ego view of
that other attractor, death. From this pessimistic ego view, humans travel from
dust to dust, and are simply returned to the undifferentiated source from which
they are thought to emerge.
Enantiodromia
But if this
were all that the evolutionary step amounted to it would be regressive and not
evolutionary. Instead of expanding the immense novelty of individual identity,
it would be contracting it a homogenous mass with a great decrease in
complexity. Certainly there are many cycles in nature that reverse themselves,
that oscillate between extremes. Jung called this process of returning to the
opposite, "enantiodromia," a term he borrowed from Heraclitus,
the ancient Greek philosopher. The ego fears, somewhat reasonably, that the
evolutionary process will be enantiodromia, nature just pressing the reset
button and erasing all the individual differentiation it sacrificed so much to
create. But the Singularity Archetype tells us that the pendulum of
enantiodromia, viewed from the right perspective, is an evolutionary spiral.
The
evolutionary step may not be a loss of individuality, but rather an expansion
of individual consciousness into collective awareness. This was true of the
homogestalt being in More than Human.
Another example occurs in Frank Herbert's Dune
books, where we see one of the most sophisticated developments of the
Singularity Archetype and a number of forms of homogestalt consciousness. In
the world of Dune, the Bene Gesserit
are a highly conscious sisterhood that have been trying to assist human
evolution for thousands of years. To reach the inner circle of the Bene
Gesserit and achieve the most exalted rank within the sisterhood, Reverend Mother, an initiate must take an
ultra powerful psychotropic known as "the
water of life." If the initiate survives ingestion of this
substance, she becomes a Reverend Mother. A Reverend mother retains individual
consciousness but also has access to the psyches of all Reverend Mothers who
have come before. Individual consciousness evolves to become both individual
and collective.
Another
possible causation of the collective consciousness motif in these stories is
that it is an expression of the boundary dissolution that occurred when the writer's
imagination contacted the collective unconsciousness. This possibility is not
mutually exclusive of the aforementioned one, and it is quite likely that both
may be present and working in parallel with each other. A recurring motif in
these visions, inextricably related to the collective consciousness, involves a
new means of communication transcending speech. Conventionally, we think of
telepathy as projecting a voice into someone's head. But conventional telepathy
wouldn’t be much of an improvement over speaking aloud, or calling someone on
the telephone. More sophisticated visions of this new means of communication
allow for a direct transmission of the self, and this becomes the medium
through which individual and collective consciousness can merge.
In The Midwhich Cuckoos, unlike Chidlhood's
End, there is an interesting limitation of communication and collective
consciousness among the new children. Zellaby notices that what one child
learns or knows is instantly available to all the other children who are of the
same gender, but the communication does not cross gender lines. Here we see
what is probably another manifestation of an ego fear about the evolutionary
change. That the children have a collective awareness is threatening enough,
but for collective awareness to transcend gender boundaries is intolerable to
contemplate even in an alien species.
Androgyny
Androgyny, at least a
significant lessening of gender differentiation, if not its disappearance,
surfaces again and again as an element of the evolutionary change. A good example
is the "greys.” In addition to oversized eyes, telepathic ability and
collective consciousness, they are also notably androgynous in appearance.
Gender differentiation has not necessarily disappeared, however, as many who
report contact with these creatures will say that they were able to sense
gender in them even if they couldn't visually discern gender characteristics.
There are also numerous cases of contactees who claim to have had sex with
these creatures. In the Dune Books,
the collective consciousness of a Reverend Mother is limited to other female
Reverend Mothers. But the whole point of the Bene Gesserit Sisterhood's
thousand-year-long plan of genetic manipulation is to create a messianic being
they call the Kwitzaz Haderach, a male Reverend Mother whose consciousness will
transcend the gender limits that constrain them. Themes and images of androgyny
are deeply entwined in many manifestations of the Singularity Archetype.
Androgyny is feared by the ego both for its connection to evolutionary change
and because it is a state of dissolved boundaries.[6]
Pseudospeciation
From the ego's point
of view, these new children represent a hostile, alien, competing life form.
Nature has played a trick, like the cuckoo bird leaving its young in another
bird's nest. It is acknowledged that the children are superior, however, and
since they are racially distinct they must be racially superior. In the
black-and-white classic 1960 film version the children look distinctly Aryan,
as if they were cloned by Nazi scientists. Here we may have a case of shadow
projection. The Nazis projected their shadow onto the Jews and claimed there
was a Jewish conspiracy to take over the world, while the Nazis actively
pursued world domination themselves. Here we have a British psyche creating
imperialistic aliens determined to dominate a lesser species.
The fear
that a new intelligent species will be bent on our destruction goes beyond the
ego. Michael Murphy, in The Future of the Body, discusses a speculation
about racism postulated by evolutionary biologists. These biologists use the
term pseudospeciation to refer to the human tendency to view other
racial groups as though they were a competing species. This pseudospeciation
may have biological roots, as it's possible that Homo sapiens achieved
evolutionary dominance by killing off other competing hominid species. In The Midwhich Cuckoos the
children, although perfectly human in appearance and gestated in human mothers,
are supposed to be a completely different species. In Childhood's End,
the new children are an evolutionary development of the human species. The new
children of Childhood's End would also have to be considered a new
species, since a species is defined as a grouping of organisms that can mate
and bear live young. Once the new children are born the old humans become
sterile, and the soon-to-be extinct Homo sapiens species is demoted the status
of living fossils. But at least in Childhood's End the new children are
acknowledged as descendants and not as completely other or alien. The older
humans accept evolution and allow themselves to be supplanted.
In the world
of the The Midwich Cuckoos,
however, this evolutionary change is fought tooth and claw. Besides Midwich,
there are other circular areas on the planet that have spawned alien children.
But these other places are not as civilized as Britain and they treat their children
more harshly. In the Irkutsk region near the borders of Outer Mongolia, for
example, both the children and their mothers, who are presumed to have slept
with devils, are killed. Another colony occurs in a Russian town. At first the
Russians decide to cultivate what seem like a flock of potential geniuses, but
when the children's uncanny powers start to manifest they use a nuclear
projectile and wipe out the whole town where the children are growing.
Zellaby
personifies an idealized face of the ego with all its civilized veneer. He's
interested in the children for the sake of science and so forth, but ultimately
he decides that his group of children must die too. His method of genocide is
extremely interesting. He enters their classroom with a briefcase full of
dynamite and then he visualizes a brick wall in his mind when the children try
to probe his psyche. He shuts out communication by conjuring a wall in his
mind. It's hard to imagine a more perfect symbol of repression! The ego feels
it can only protect itself by putting up a psychic wall between itself and the
collective awareness of the children.
Village of the Damned, Childhood's End and Jung
Jung died in 1961
when the UFO myth was just getting started, and it would be interesting to know
what he would have thought of the development of this mythology to include
abduction experiences and all sorts of other elaborations. (Again, by referring
to UFO lore as a mythology, I do not mean to imply that its source is purely imagination
and that there aren't real phenomena at its center.) In 1995, The Midwich Cuckoos/ Village of the
Damned UFO story continued its evolution.
Village of the
Damned—a New Variation
In the Spring of
1995, horror director John Carpenter released a remake of Village of the
Damned. The new version was reasonably faithful to the original, but with
some interesting variations. Since the new version occurs in the Nineties
instead of the Fifties, the pregnant mothers face a decision on whether or not
to bring their pregnancies to term. Simultaneously, they all have an archetypal
dream, and apparently as a result of it they decide to keep the babies. When
the new children are born, they all look human except for one. There is one
female infant that looks completely alien and it is immediately removed from
the mother. It is either stillborn or destroyed. As the infants become children
it is observed that they always walk in male/female pairs, and that the pairs
are constant as if the children were divided into a series of married couples.
There is one boy, however, who walks at the end of the line alone, and appears
to be the only one without a mate. This boy, whose name is David, is also
unique in being empathic while the other children are impersonal and ruthless.
At one point
in the story Zellaby finds David wandering alone in a cemetery. Asked what he
is doing, the boy replies, "Looking for the baby. The one who was born
with us. The one who died." Zellaby is astonished, because the
children were never told about the baby. David reveals that the dead infant was
meant to be his mate. Here we have an interesting variation on the human/alien
hybrid theme. This pairing is more polarized than the others, as this boy's
intended mate was much closer to being an alien. Also this boy is much more
human than the other new children as he exhibits an acute empathy for others.
This empathy is heightened by the pain and suffering he feels as the one left
behind without a mate. Ultimately, when the other children are destroyed, his
life is spared and he is rescued by his mother. His survival makes him seem a
kind of messianic Subject Zero, gifted in both psychic powers and empathy, and
we are left with the hopeful feeling that evolution may somehow continue
through him. This new variation is an improvement over the original ending
where the ego, personified by Zellaby, destroys the children and itself with
them.
A Troubling Synchronicity
But the new film
version adds a strange unintentional piece to the story. To understand this
additional piece will require a working understanding of a principle that Jung
referred to as "synchronicity." Many of you are no doubt
already familiar with the term, if you aren't, a brief explanation follows, but
I would also recommend reading Jung's Synchronicity: The Acausal Connecting
Principle. Synchronicities also have an evolutionary significance that will
be discussed later in the chapter.
Jung defined synchronicity as an “acausal connecting principle.” In other words, synchronicity describes relationships that are not mediated by cause and effect, but instead by parallel, acausal relationships. Jung was searching for a way to account for those uncanny, completely improbable “coincidences” (assumption of randomness) where something from the inner life and something from the outer world would “synch up.” Jung developed this concept of synchronicity after some discussions with Albert Einstein and later he worked closely with Nobel Prize winning physicist, Wolfgang Pauli. At the time, Jung’s theory of synchronicity was speculative, but we now know from the findings of quantum mechanics that parallel, acausal relationships do exist in the physical world.
A classic illustration of synchronicity
that Jung relates concerns a female patient of his whose progress in analysis
was blocked by her excessive rationalism. One day this woman came to her
session very excited. She had just had a “big” dream that involved Jung. In the
denouement of her dream Jung had appeared and handed her a golden scarab, an
object that she recognized as an Egyptian symbol of immortality. As she was
relating the dream, Jung noticed a tapping sound coming from the window of his
consulting room. He opened the window and a golden, scaraboid beetle, not
native to the area of Switzerland where his consulting room was, flew into the
room. Jung caught the insect in his hand and when the woman related the moment
in the dream where Jung gave her a golden scarab he opened his hand and
presented her with a living, golden, scaraboid beetle. This intense
Synchronicity punctured her superficial rationalism and she was able to
progress with her analysis. Jung could find no causal agency that would explain
why this insect would go against its natural instincts and demand admittance to
a darkened room.
A personal
example of synchronicity involves a day some years ago when I was reading
Jung’s book, Synchronicity, the Acausal Connecting Principle. At the
time I was living in the East Village area of Manhattan and was reading the
book in the public library. In the passage I was reading, Jung recounted a
series of synchronistic events that began with dreaming about a fish. He awoke
from the dream and the first book he opened had a picture of a fish. Then there
was a fish for lunch, and later he saw a dead fish on the sidewalk, etc. I
remember being greatly underwhelmed by this anecdote. A fish is such a common thing, I thought. If you were looking for it of course it would seem to be everywhere.
I gathered up my stuff, exited the library, and walked the two blocks to my
apartment building. I unlocked the outer door of my building and walked up the
four flights of stairs to my apartment. Someone had drawn a picture of a fish
in white chalk on the door!
Most people
reading this can no doubt provide personal examples of such striking
synchronicities that are hard to dismiss as meaningless coincidence. They seem
to become more frequent when one is exploring the psyche or involved in some
creative enterprise, especially if it has a deep collective significance.
Synchronicities
reveal that the inner microcosm of the psyche and the outer macrocosm of the
external world have parallelisms. Inner and outer are not as separate as we
have been brought up to believe. Synchronicities show us that there is a
connecting principle. It also seems that highly charged psychic contents are
more likely to be paralleled by synchronicities. It should not be surprising,
therefore, that highly charged collective visions of the Singularity Archetype
may also have accompanying synchronicities. In the two film versions of Village of the Damned we see
particularly interesting synchronicities involved with the casting of the
character Dr. Zellaby (renamed Dr. Alan Chaffee in 1995), whom I've suggested
is a personification of the ego.
In the
original film Zellaby is played by George Sanders who portrays the character as
an urbane, dignified, sensitive and compassionate man. The ego is given the
most sympathetic face possible and the audience is led to identify with Dr. Zellaby
as a courageous, intelligent hero facing alien evil. Sanders pulls this off
magnificently, but it is interesting to note that he himself was an almost
archetypal personification of the dark side of the ego. Apparently he was
egoistic and sadistic to a degree remarkable even for a film star gone bad. In
1960, the same year Village of the Damned was released, he published his
autobiography entitled: Memoirs of a Professional Cad.
Encarta dictionary defines cad: "Ungentlemanly man: a man who does not behave as a gentleman should, especially toward a woman (dated).”
A biography was written about Sanders
posthumously. It was entitled, A Perfectly Awful Man. In 1972
he committed suicide and left behind a suicide note in which he listed boredom
as the main reason for his suicide. Sanders was obviously role cast as a personification
of the darker side of the ego, but a much more striking synchronicity involved
the casting of Christopher Reeve as Dr. Chaffee in the remake.
I feel
some uncomfortable hesitation in pointing out this synchronicity because I
don't want to trifle with the personal tragedy of a real human being. But there
seems to be such a striking message occurring here that I feel needs to be
given a voice. Christopher Reeve was an archetypally appropriate casting choice
to represent the idealized face of the ego presented by the character Dr.
Chaffee. He was, of course, the actor chosen to play Superman, and I hardly
need to point out the relationship of Superman and an ego ideal. Reeve was
highly intelligent, tall, graced with an Olympian physique, patrician good
looks and aristocratic bearing. Village of the Damned opened on April
28, 1995. Twenty-nine days later, on May 27, 1995, Reeve suffered his tragic
accident that left him a quadriplegic.
Many people
were shocked at the irony of someone who portrayed Superman becoming a
quadriplegic. This particular type of injury seems a far more powerful reminder
of human mortality and frailty than someone actually dying, which in our
culture is usually an off-stage, abstracted event. In fact, an early death for
a movie or rock star usually results in their being romanticized and idealized.
But for the ego, quadriplegia is one of the most frightening mortal scenarios,
involving the fears of loss of control, loss of sexual functioning and
completely dependent helplessness. That quadraplegia happened to a man who was
identified in the popular culture as Superman was striking enough irony in
itself, but for Reeve to also be playing in the movie theaters as Dr. Chaffee
when the accident occurred seems like more than a coincidence.
Again, it
may seem irresponsible and lacking in compassion to symbolically interpret
someone's personal tragedy. But it really seems as though the collective were
being sent a message---a profoundly disturbing message---of how the mighty ego
is fallen. The ego strives mightily to be superman and to perfect the body and
have control, fame and wealth. Rarely does someone like Christopher Reeve
actually manage to achieve all those things. But fate can reverse all ego
achievement in an instant. And to paraphrase Marshall McLuhan, the medium of
this disturbing message is a message in itself. A terrible accident occurs with
an acausal link to collective mythology. The archetypal realm reveals that it
has shocking power in the "real" world. It was for exactly this
reason that Jung was alarmed when his German patients started to dream about Wotan, a
Germanic god of war and mayhem. (Some claim him as Nordic; he is also
called Odin.) Jung knew that what emerges in dreams emerges in the world. What
emerges in films, which often manifest as technologically amplified collective
dreams, also has a tendency to emerge into the "real" world. And the
ego, for all its pretensions and efforts to deny mortality, may be fearfully
aware that there is strange handwriting on the wall, and that its worst fears
may well come true.
What is
particularly disturbing in the case of Christopher Reeves is that, as Dr.
Chaffee he is the character who ultimately destroys the children. Throughout
the film, however, it is the children who bring punishment on those who harm
them or whom they perceive as a threat. For example, the children force the
woman scientist in charge of their colony to show them the preserved body of
the infant girl that died. They observe a "T" shaped autopsy incision
on the infant's body. Later in the film they telekinetically pressure this
scientist to make a T-shaped incision on her own body. The children seem to be
exacting an eye for an eye version of karmic justice. The only character in the
film on whom they are not able to exact this kind of justice is Dr. Chaffee.
The synchronistic real life accident makes it appear as if their power were
able to reach beyond the realm of the film fantasy and into the external world.
An
interesting approach to this disturbing synchronicity begins with
considering how perceptual bias alters external reality. The effect of the
observer on what is observed is most obvious in the case of one human psyche
perceiving another. If an egoistic psyche perceives a particular child to be
bad and dangerous, the child is likely to act that way. Village of the
Damned, and its ego point of view personified by Zellaby/Chaffee, perceives
the evolutionary change as bad. They view the new human consciousness as a
threat, a competing species bent on the domination and destruction of the older
form. They are treated in kind by the children but ultimately succeed in
destroying them. Their paranoid, fearful point of view constellates a paranoid
world of fear, power and domination. The triumph of the ego over the new
children in the film is bizarrely, disturbingly contradicted by the real life synchronicity
of the actors who portray Zellaby/Chaffee. Sanders, in the same year the
original Village of the Damned opened, celebrated his dark egoism with
the publication of his autobiography: Memoirs of a Professional Cad.
Later, like so many human victims in the film, he takes his own life. Reeves,
best known for his portrayal of Superman, within days of the opening of the new
version competes in an equestrian event, loses control of his horse and falls
to the ground a quadriplegic.
One way of
interpreting this message is as a threatening warning to the ego. If you
perceive this evolutionary change from your accustomed vantage of imperialistic
dominator, be ready for a fall. Other visions of the Singularity Archetype in
the popular culture view it more sympathetically. For example, Powder,
another 1995 film, is about a male adolescent mutant. Powder's mother was not
impregnated by a UFO, but in an equally cosmic birth scenario she is struck by
lightning while pregnant. Lightning is a cosmic phenomenon that connects higher
and lower when they become too polarized. The mother dies, but her unborn son
lives and is transformed by this heavenly intervention. Powder lives, but at
the cost of the older form. He is born in an incubator, and we meet him as a
male adolescent lacking the care of a mother. Powder is kept hidden in the
basement by his grandparents. He is an albino and weird things happen when he
is around electrical energy. Powder has powers similar to those of the children
in Village of the Damned, including genius-level intelligence and
telepathic abilities. Ordinary people in the town shun, scapegoat and persecute
him mercilessly. But Powder, like David, is uniquely gifted as an empath. Like
David, he is solitary and unable to find a mate. In this film the evolutionary
development personified by this mutant adolescent male is viewed as threatening
to unconscious, egoistic people, but in fact, the feared mutant turns out to be
especially gifted with love and free of the dark limitations of the ego. Those
who come from the egoistic, xenophobic point of view project their shadow onto
the new form. In the film, there is a policeman who has a particular,
instinctive animosity toward Powder. In one scene we see him leading a group of
sadistic boys, who also persecute Powder, on a deer hunt. The deer hunting
behavior reveals that this male tribe believes it has a natural right to
dominate and destroy less powerful life forms. And this is why they fear and
want to destroy Powder. They see Powder in their own image and unconsciously
assume that because he is superior that he must want to destroy them.
During the
course of the hunt, a policeman shoots a deer. Powder is horrified and
tries to put his hands on the dying animal to comfort or heal it. At that
moment Powder personifies the wounded healer and he empathically feels the
helpless agony of the dying animal. While he is in this empathic state he grabs
the arm of the policeman and causes him to feel what the deer is feeling.
Powder later explains that he did this because he knew the policeman wasn't
conscious of what he was doing and the suffering he was creating. The policeman
has a complete spiritual change after this experience, gets rid of his entire
gun collection, and ceases to be an aggressor. If we accept the
policeman/hunter as the personification of the world of the ego---the patriarchal
realm of governmental control and dominator mentality---we see that the new
form has the ability to transform the ego by forcing empathic awareness into
it.
Dream of a Transforming but still Dangerous Ego
If we personify the
collective ego for a moment, we can say that he has been sent powerful messages
and is more than intelligent enough to be aware of his predicament. But even
the dark side of the ego is capable of learning and evolving. He’s already
tried the Antichrist scenario during World War II with Hitler and the Nazis. He
may have learned that completely unleashing his rage and will to power may be inherently
self-defeating. Perhaps the ego is no longer quite sure that it wants to kill
the mother, the living planet that has spawned him. The ego is highly
intelligent and may be struggling to read the disturbing handwriting on the
wall.
These comments
on the growth potential of the ego would not have originally been included but
for a dream that I had the night before I was to complete this section on the
ego. Although this dream could be read as an unflattering depiction of the
state of my own power complex, the timing of the dream, occurring just before I
was to wake up and write about the role of the ego in evolution, inclines me to
believe that the dream has a collective meaning.
In the dream
I am present only as a witness or disembodied point of view. A group of people is
standing before an enormously complex, futuristic control panel that has the
curved amphitheater shape of the keyboard of a great pipe organ. Information in
the form of rapidly moving green LED numbers is pouring out of the control
panel. The control panel has been made to be esthetically pleasing and to have
a "natural" look of polished wood and green transparent panels. But
part of the numerical display on the right hand side is erratic and there is
obviously a malfunction. The control panel is apparently a new prototype. A man
in military garb who is sitting at the control panel is in a state of acute
panic. He is afraid because at the center of the small group of white-coated
scientists viewing the malfunction of the control panel is Darth Vader. But
Darth Vader does not look like he does in the Star Wars films. To my surprise, I see that Vader's appearance is
altered. He is wearing an abbreviated version of his famous black outfit and no
breath mask or helmet. His head is exposed and he has the mustachioed, elegant,
intelligent face of an elderly Vincent Price. To be more exact, this is the
face of Vincent Price shortly before his death when he appeared in Tim Burton's
film Edward Scissorhands. In the dream, Darth Vader seems uncannily
intelligent and patient. He has a visible aura of power that shrouds his head
like a hood, but he also seems frail and elderly.
The scene
shifts and we see Darth Vader walking on a dirt road below a wall of natural
rock, a side of a small canyon or cliff. He is elegantly, aristocratically
dressed in an immaculate white suit. He seems extremely intelligent, dignified
and in control, but as before there is the undisguised frailty of age. A bodyguard,
a brutal young man wearing a light colored suit stands with his hand on his
gun. The gun, in a very phallic manner, is bulging from his trouser pocket and
he stands ready, even anxious to use it at the first sign of trouble. Vader
strolls with perfect composure paying no attention to the bodyguard who, to
him, is merely a background detail. Vader is staring curiously at the wall of
rock. There are Egyptian hieroglyphs drawn on the wall in colored chalk. It is
known that the designs were drawn very recently by adolescents. The dream ends
with him looking curiously at the hieroglyphs.
Darth Vader,
as the Star Wars character, is an
almost archetypal personification of the demoniac aspect of the ego and the
highly related concept of the patriarchal. When we experience him in Star
Wars: A New Hope, the first film, he appears to be completely motivated by
the will to power. He hides his humanity behind a mask, his costume clothes him
in technology, and the shape of his helmet has an obvious Nazi aesthetic. He is
man trying to become machine. But Vader is also the most complex of the Star Wars characters, and he undergoes
the most transformation.
In The Empire Strikes Back we see a fascinating glimpse of
Vader's humanity. He is apparently in his private apartment, which is a very
small bombproof cubicle with an utterly functional interior of control panels
and metal surfaces. This interior is Vader's cocoon, a small lightproof, airtight
container, a little high-tech thermos insulating him from anything alive. Then,
for a moment, we are shown a single glimpse of the back of his unhelmeted head,
which reveals that there is vulnerable, scarred human tissue under the costume.
He is a human being, and not merely an archetype of evil.
As the
trilogy of films continues, especially as we near the end of The Return of the Jedi, it becomes
apparent that Vader, whose psyche originally seemed to be electrified by a pure
will to power, is now torn between power and love for his son, Luke Skywalker.
In the dramatic duel scene in The Empire
Strikes Back, Vader, in an effort to seduce Luke into an alliance, makes
the statement, "Join me, and together we can end this destructive
conflict and bring order to the galaxy." The patriarchal will to
power, with its pretense of rationalism, is obvious in the phrase, " .
. . bring order to the galaxy." But there is also for the first time a
suggestion that Vader might be weary of war and does not favor destruction as
an end in itself. He is intelligent enough to want to " . . . end this
destructive conflict . . ." Vader, like the ego, may be aware that he
is in a conflict with another powerful principle that he cannot fully dominate,
and he may be growing weary of the struggle. And then there is the opposing
love principle in his statement, the emphasis on "joining" and
being "together."
By the end
of The Return of the Jedi,
Vader's transformation is complete and he has sided decisively with love and
surrendered power. He accepts his mortality and in his dying scene asks his son
to remove his breath mask so that they can have a moment of human contact.
Vader/the ego gives up the power principle, acknowledges love and immediately
thereafter perishes. Unfortunately, Vader doesn't end there and at the very end
of the film we see a reborn Vader in a scintillating astral body, hanging out
with Obi-Wan Kenobi and Yoda. Apparently he's achieved instantaneous
forgiveness for committing genocide on numerous planets and can now spend eternity
dancing with the Ewoks, or whatever. If World War II were refashioned in this
way we’d have Adolph Hitler and Anne Frank skipping down the yellow brick road
together.
Darth
Vader's transformation in the Star Wars films represents one possible
developmental track for the ego. From a place of utterly unfeeling will to
power he grows weary, discovers love, surrenders and dies. There are numerous
actual cases in which particular human egos have traveled this exact
developmental path. Let's consider a hypothetical case history of a man in his fifties
who is a ruthless, hard-driving workaholic businessman. Ambition was more
important to this businessman than his family, and his marriage ended in
divorce and estrangement from his children. But now he is in the hospital dying
of cancer. His only son comes to visit him, and seeing his dying father hooked
up to tubes and machines, he feels a sudden empathy for this brutal man that he
never experienced before. The father, in return, feels an overwhelming love for
his son who will live after he is gone. He surrenders his ego, accepts
mortality, and dies.
The ego, in
some collective sense, may also be aware that it is aging and has cancer, just
as Vincent Price obviously was during the filming of Edward Scissorhands.
As an association occurring in my dream, I remember finding Vincent Price's
poignant role in the film made more poignant by my having read that he was
ailing with cancer when he played the role, and that it was his last film. His
character in the film also dies in a poignant way, and Tim Burton, who had a
great personal affection for Vincent Price, cast him aware that he was dying.
The imagery
of the dream suggests that the ego is interested in rehabilitating its image.
But one gets the feeling that these public relations efforts to reveal a
kinder, gentler ego should be viewed with a certain suspicion and wariness. For
example, the "natural" green and wood-toned control panel may be
viewed as an attempt at subterfuge or misdirection. It is shaped like the
keyboard of a giant “pipe organ,” so it also represents a phallic will to
control. It is a cosmetic softening of
what is either the control panel of a Death Star or some Luciferian control
panel for the earth. The ego is closely allied with what Jung called the “persona”---the
outward, socialized mask we present to the world. The ego wears an immaculate
white suit in the second part of the dream, as might befit the British Viceroy
of India at the height of Imperialism. The suit, with its aristocratic all-whiteness,
carries an association of racial superiority. The immaculate whiteness is also
a striking contrast to the natural setting of the dirt road and canyon or cliff
wall of raw rock. The ego obviously still feels superior and apart from messy
nature, which must be put under control. And for all the ego's veneer of
civilization, and dignified bearing, nearby is the brutal, phallic bodyguard,
his hand hoping to draw the gun. The panic of the soldier at the control panel
was no doubt a realistic response to a Vader who still holds an iron fist
beneath his white linen gloves.
From one
point of view, we could say that the devil hath the power to assume a somewhat
more pleasing shape. The ego, no doubt, has cards up its sleeve. Perhaps it is
allowing itself to appear mortal and vulnerable so that we let down our guard.
Possibly there is a laboratory on the Death Star where scientists work round
the clock building a cyborg body for the ego. It plans to transform itself into
a cyborg and achieve technological immortality and everlasting freedom from the
living, dying organic world. The ego is a resilient structure and it has a
genius for creating illusion and deception. One would have to be a really
gifted paranoiac to invent motives and subterfuges darker and more devious then
those of the power-oriented ego.
Although
these suspicions are more than warranted, my inclination is to view the dream
as a message about the ego's transforming duality. Its Luciferian aspect is
still clearly present. Call me paranoid, but there's something about a guy
named Darth Vader standing before a world control panel that I can't fully
trust. On the other hand, the ego is not in control of the dream, and there is
a feeling that the elderly Vincent Price aspect of him is also real. I think
that the ego is in a schizoid place right now, and is not sure where he stands.
The efforts at power, control and deception are still there, but he is also
aware that the control panel is malfunctioning, that its body is aged and there
is strange adolescent handwriting on the walls. But before we consider the
ego's possibly transformed awareness of mortality, let's consider the
relationship of its Luciferian aspect to nature.
The Ego and Nature
Just as Lucifer, according
to the Bible, was once the brightest angel before the fall, the ego was once
nature's brightest, most favored prodigy. Lucifer, according to the Bible, was
created by God, even though he sets himself apart from God and plays an
adversarial role. Similarly, the ego was created by nature, even though it sets
itself apart from nature and plays an adversarial role. Is God really separate
from Lucifer, his own creation? Is nature really separate from the human ego,
its creation?
Nature
created an interventional, adversarial species that extrudes technology and
environmental toxins. If the human species and its ego are mistakes, then we
might as well blame nature. The ego is a child of nature as much as a daisy or
a virus. To understand the ego, we must discredit the view that it is
unnatural. It is actually the ego itself that wants to view itself as
unnatural. Like Lucifer, it's trying hard to forget where it came from and
where it's going back to.
Many people,
coming from the ego, use the term "natural" in a way that is
filled with deception. I'm not sure that anything is outside of nature. Is the
Empire State Building less natural than a beehive, or are they both structures
created by earth organisms out of patterned energy? Most people call "natural"
that which they prefer. For example, homosexuality, even though it occurs in
thousands of species and all human societies will be judged by some people as "unnatural."
Those same people will view manmade social institutions, like the particular
form of marriage approved of by their culture, as “natural.” And, of course, it
is claimed that God endorses these ego preferences. The God such people worship
is really a man in a white suit who has their identical prejudices.
"Natural" carries an
unconscious association with a Rousseau-like, sentimentalized view of kindly,
gentle mother nature. For example, many food products boast that they have "all natural ingredients."
But a soup made of cobra venom, scorpion tails and bubonic plague could make
the identical claim. Polio virus is natural, the vaccine is manmade. The ego is
natural, if anything is, and the tendency to view the ego as bad because it is
distinctively human is in itself an ego-based illusion.
The ego, in
its Darth Vader personification in the dream, may be slightly reforming its
relationship to nature. Although it stands before the control panel with white-coated
scientists and later strolls in a suit of sterile whiteness, it has made, at
least, some aesthetic concessions to nature. The "natural" look of
the control panel is in striking contrast to the synthetic high-tech look of
Vader's world in the films. Perhaps the natural-look control panel, which may
be a world control panel, reflects a dawning concern the ego has for
controlling the environment in a way that doesn't destroy it. Similarly, many
of the corporate, ego and power based entities that contributed to the
toxification of the environment are beginning to realize that destruction of
the biosphere will eventually be bad for business and the bottom line.
A much more
significant concession to nature is Vader's willingness to expose his frail,
aging face. In the dream, this felt like a profound concession to mortality.
Vader also shows some interest in stepping out of his cocoon and into the
outside world of nature. He walks on a dirt road and looks at a natural rock
face. He is seen struggling to understand evolving human nature as expressed by
the colored hieroglyphic chalk drawings of the adolescents.
The ego's
personification is dual. He is both Darth Vader, who is in himself dual, and
Vincent Price. From the deception point of view we could suspect the ego of
wanting to gain sympathy. Vincent Price was always the camp icon of horror
films. His flamboyant portrayal of characters who were supposed to be sinister
and ominous always seemed arch and humorously entertaining. Almost no one takes
Vincent Price seriously as a personification of evil in the way people do take
seriously Anthony Hopkin's Hannibal Lechter, for example. We might, therefore,
suspect the ego of wanting to make light of any fears of it as boogey man.
But I am
more inclined to view this Vincent Price aspect of the ego as revelatory,
rather than deceptive. Although the ego borrows the physiognomy of Price's
face, he doesn't show a trace of his humor, and there's nothing campy about his
appearance or manner. The face seems more a revelation of true form rather than
a borrowed disguise.
Let's also
consider the role that Vincent Price played in Edward Scissorhands,
which I believe to be a central and intended association of the dream. Vincent
Price, in Edward Scissorhands, is some sort of eccentric genius, a fairy
tale mad scientist who seems as much an alchemist as a technological inventor. Like
the actor portraying him, he is at the end of his career and near death. And
his final invention is also his only son.
Again, we
have a strange duality. From one point of view, Price would seem to be a
reincarnation of Dr. Frankenstein, the ego as technological Prometheus seeking
to rival and surpass nature's progenerative power. Like Dr. Frankenstein he is
creating birth completely without the feminine, as he is the father of a son
with no mother.
But unlike
Dr. Frankenstein, Price seems very loving and kindly. Perhaps he has created
Edward aware that his own demise is approaching and loves Edward as much as any
father loves his only son. Edward, like Frankenstein (remember his gentle
affection for the little girl), is an unexpectedly feminine creature despite
this all-masculine birth. He is portrayed by Johnny Depp as androgynous,
sensitive, gentle and caring. Price's meddling with nature has brought
something of great value into the world. One is reminded of the belief of the
great alchemist Paracelsus that man is here to finish God's work, to finish
nature.
The first
words we hear Edward speak, however, are, "I'm not finished."
He is referring to his mutant, metallic hands that would apparently have been
replaced by normal looking hands but for the untimely demise of Price before
his creation could be finished. These technological hands, which look
frightening, are capable of astonishing utility and creativity. But they also
make it hard for Edward to do some of the ordinary tasks of daily life like
dressing and eating and he frequently, inadvertently, wounds himself.
If the ego is, in a sense, the
father, Edward himself is a hybrid. His "unfinished"
technological hands give him creative power over nature as when he sculpts hedges
into amazing creatures. The creative gardener is an almost archetypal
personification of man augmenting nature. But Edward, unlike the ego, seeks
love, not power, and his too powerful, technological hands make this hard for
him. Edward is a variation on Subject Zero, an adolescent mutant unsure
of his identity. The technological proficiency that is an ingrained part of his
being is much like that of a modern adolescent who has grown up in a world of
television, cars and computers; he is innately adept at using these tools and
would feel like an amputee without them. But at the same time there is an
awareness that these powerful gifts can be harmful, that they can cause self-inflicted
wounds and make love difficult. The ego, in his Vincent Price aspect, is
reminding us that he is the father of Subject
Zero, the adolescent mutant, and that he cannot be separated from the fate
of the next evolutionary step.
Here again
we have a strange paradoxical duality. It is true that new life builds on prior
forms and the present ego-based psyche will have strong familial connections
with whatever succeeds it. The patriarchal ego may have a certain paternal
claim. But we also have the ego usurping the power of nature, and claiming the
feminine role in creation. The ego, as the story of Frankenstein reminds us, is
not to be trusted in the role of creator. The feminine cannot be left out of
creation, but the ego prefers an exclusively masculine world. Dr. Frankenstein
and Frankenstein, Price and Edward, Darth Vader and Luke Skywalker---each is a
father with his only son and mothers are conspicuously absent. Powder's mother
dies in the cosmic event that creates his transformation. Presumably Vader had
a female consort, but, at least in the first cycle of films, we never hear of
her and her children apparently don't know her. Vader has a daughter, Princess
Leah, but he shows little interest in joining with her.
The ego in
the dream is surrounded by male scientists, soldiers and bodyguards. His
demeanor and presence personifies what Jung referred to as the solar phallic or
higher masculine power identified with mind and will. But nearby is the
chthonic or lower phallic power of the bodyguard with his relation to power-oriented
sex on the level of the genitalia, brutal violence and domination. We see
higher and lower phallic principles combined in a typical dream image/word pun
in the control panel, which is shaped like a great organ. The ego is as male as
ever and it wants to usurp the feminine role in creation. Perhaps that's another
meaning of the green and wood-toned control panel.
In the
waking life we certainly see the ego standing before control panels altering
nature. White coated or suited ego personifications introduce genetically
altered microorganisms, plants and animals into our world. Once we foraged in
the forest, then we learned to use our hands to make gardens and farms, but now
ego-driven multinational corporations mediate with nature for us and grow
genetically altered crops in chemical fertilizers, which are sprayed with
pesticides, irradiated, and sold in microwaveable plastic at the supermarket.
We've allowed the ego to be in charge of nature and progeneration and can't be
sure where that process will end. Given the opportunity to fulfill its
ambitions, perhaps the ego will create artificial intelligence that will
propagate itself in a virtual world that will be Childhood's End. Is it possible for the ego to
create an alternative or parallel evolutionary track to that of the human
species? Consider how much computers have evolved in the last fifty years
compared to fifty years of human evolution. The ego might seek to avoid
mortality by using artificial life to replace or mutate organic evolution. For
your next life time, why be reborn by messy, inefficient mother nature when you
can be rebooted by Microsoft Turbo-Genesis Incarnation version 7.1?
Perhaps the ego has a cybernetic card up
its sleeve. In the dream, however, the Vader/Price character seems to be
feeling its age and acknowledging its mortality. Similarly, heads of
multinational corporations and governments read the statistical projections and
know they must content themselves with managing the end of the world. In the
dream the ego sees that there is handwriting on the wall. The hieroglyphic
handwriting is colorful and adolescent. Since the markings are made with chalk they
are recent and temporally fragile, but they also resonate with the ancient
world and appear Egyptian. Its hieroglyphic expression suggests the archetypes
and the collective unconscious. In the Jungian literature there is a famous
example of the timeless memory of the collective unconscious in the dream of a
modern girl that manifests motifs of ancient Egyptian mythology unknown to her
waking self. Terence McKenna's most seminal book is called The Archaic
Revival, and he discusses the revival, especially popular with adolescents,
of the archaic practices of body piercing, drum circles, paganism, magic,
herbal healing and the use of natural hallucinogens. Aspects of the ancient
world are returning through the young and the ego isn't sure what to make of
them, but it may be intelligent enough to sense that they are harbingers of
change beyond its control. The spatial occurrence of the hieroglyphs in the
dream is also significant. They are far over the head of the ego and several
body lengths out of reach.
The dream
tells us that the ego is still powerful, still dangerous, yet also a paradoxical,
complex entity with conflicting motives and self-ambivalence. It may be nearing
the end of its life, but it will not be without a role in the creation of
what's to come.
Other Changes as we Approach the Singularity
Heightened Recognition of Synchronicity
Our discussion of
the transforming ego was part of a larger speculative discussion about what
changes might be anticipated as we get closer to the event horizon. All of
these areas of change overlap each other as any changes in one core aspect of
the psyche affect every other, and every change in the psyche also means change
in the outer world we live in. From the broadest perspective the change may be
viewed as the merging of the inner psychic sphere and the outer external world,
a converging of the realms of spirit and matter. These realms are already far
more connected than most realize and pulling back the veil of illusion would be
an enormous shift in itself. The ordinary perspective of a modern person is
that the inner psychic world and the outer world are separate realms.
Synchronicities, if they are not dismissed out of hand as meaningless
coincidences, are viewed as anomalies, rare and exceptional cases of the
distinction between inner and outer breaking down. My intuition tells me that
recognition of the overlap between inner and outer will increase synergistically
with what will appear to be the increasing interaction and merger of the two.
We can expect a great intensification of apparent synchronicities, particularly
for people who are tuned in to the evolutionary process. As we get very close
to the Singularity we may find that synchronicities become the rule, rather
than the exception. Perhaps everything is already a synchronicity and what we
call synchronicities are those episodic moments of being able to recognize this
principle. A different "physics" of reality may come into being. A
shift in awareness of the physics of reality is in itself a shift in the
physics of reality.
The Psyche in a Synchronistic Environment
We already spend
time daily in a realm where the physics of reality appears to be very different
and where synchronicity is the ruling principle. In our dreams we enter a realm
that is more energetic and plastic. Let's leave aside for a moment the
possibility that other human psyches or various entities may engage, transform
or create our dreams. If we consider dreams to be environments paralleling the psychological
process, then everything that occurs in a dream is a synchronicity. Everything occurring
in our dreaming environment parallels psychic content. The fluctuations of the
dream environment not only parallel the dynamism of inner process, they are
inner process---psyche and universe are one. Matter in dreams is spiritualized
and can come into being, disappear or mutate in perfect synchronicity with
psychic need. Time is no longer linear and the categories of past, present and
future, as we have been conditioned to view them, no longer apply. Meaning and
communication do not necessarily require words, and intentions can be expressed
visually in an infinite vocabulary of images. T.S. Elliot created a term "objective
correlative" to refer to objects in literary text that are there to
parallel a particular emotion. A wilted rose in a poem may be the objective
correlative of a disappointment in love, for example. In dreams, every object,
person, or landscape is an objective correlative, so the psyche finds itself in
an environment where everything is appropriate and related to inner meaning.
Some would
say that this state of perfectly meaningful correspondence between psyche and
environment is as true of the waking life as it is of dreams. We've been
conditioned by a culturally transmitted irrational belief that inner and outer
are separated in some consistent way. But the findings of quantum mechanics disprove
the validity of such a separation. And if we don't want to put our faith in
quantum mechanics, we have the evidence of synchronicities in our waking life.
Remember it only takes one white crow, one valid case of synchronicity in all
of human history for the boundary wall between inner and outer to start looking
like a thin film of Swiss cheese projected onto a movie screen. It is not
always apparent how the bizarre content of a dream parallels or is the direct expression
of our psyche. Our individual psyche is a mystery even to us. It should not
surprise us, therefore, that we have trouble recognizing the universe of the
waking life as a parallelism or expression of psyche. The universe of the
waking life is probably paralleling and expressing a great aggregate of
individual psyches, human and nonhuman. When we recognize a moment of the
universe clearly mirroring our psyche in a way that we can understand we
declare that moment a synchronicity. But it is possible that other moments are
simply unrecognized synchronicities. We have to be careful about presumptions,
conscious and unconscious, attached to our perceptions of synchronicities.
Some
perceive synchronicities as coming from the outside. Such people believe God or
the universe chooses at a particular moment to be more interactive with their
psyche and delivers a miracle, blessing or sign. Others perceive the
synchronicity as generated by their psyche and see it as evidence of themselves
as magicians or Gods of their own universe. These two perceptions are the two
faces of the coin of causation. One sees causality heading from a divine cosmic
realm into the psyche, the other sees causality generated by the psyche and
heading out to transform the outer world. But synchronicity, at least as
conceived by Jung, is called "The Acausal Connecting Principle."
In the Jungian paradigm synchronicities are acausal parallelisms. But the only synchronicities
we can talk about are the ones we can recognize. Perhaps the principle of
acausal parallelism is always at work and it is our recognition of it that is
merely episodic. Perhaps psyche and universe only seem to be more interactive
when our ability to recognize inner and outer parallelism awakens. If so, our
collective awakening to the perception of that parallelism would be a profound
evolutionary shift. Such a profound shift in consciousness would be paralleled
by a transformation of language and communication---the foundational
"software" of our awareness.
Logos Beheld Instead
of Heard
Terence McKenna has
come to very similar conclusions about how things may change as we approach
what he refers to as "the strange attractor." He offers some
especially important speculations about how communication may transform. McKenna
refers to an ancient Jewish philosopher, Philo Judeus, who was a contemporary
of Christ. Judeus believed that man would achieve metamorphosis when the Logos
(the voice of God, truth or higher self) would no longer be heard as words but
would be beheld. McKenna suggests that instead of hearing a person's linguistic
intentionality as words we would behold it visually. This is already the case
in dreams. Fantasy extrapolations of the future of virtual reality often
include this capability, and technological evolution tends to parallel psychic
evolution.
There are
also "white crow" instances where this type of communication may have
actualized already. McKenna describes cases of language manifesting visually
under the influence of powerful psychotropic substances. One example involved
people under the influence of the tribal hallucinogen ayahuasca.
Anthropologists once called ayahuasca "telepethine" because of
persistent reports that it produced telepathic states. Reportedly, individuals
in a group ayahuasca experience can sing nonverbal songs that will be
experienced by the entire group consensually as changing colored forms. Musical
intentionality occurs as both sound and imagery, and afterwards different
individuals in the group will describe the visual symphony using the same
adjectives of color and shape.
As we
approach the Singularity, we may better be able to recognize our world as a
consensual dream, a synchronistic environment. If our present world is already
a synchronistic environment it may be the appropriate environment of psyches
that are often blind, asleep, lacking in creative vitality and possibly in need
of suffering as a developmental catalyst. Our toxification of the biosphere
(fundamentally a psychological product) could certainly be viewed in that way.
That may account for some of the heavy resistance and abrasiveness we
experience in our world. It's also possible to consider that we live in a
"fallen" state where realms of matter and spirit only imperfectly and
episodically parallel in a loving way. The realm of matter may need to be awakened
and made more mutable and appropriately interactive by more vital, awakened
psyches. We also, I believe, need an awakening to parasitic forces that benefit
from our fallen state.
Shocks, Disasters and Chaotic Events
Looking toward the
event horizon, the last and possibly most certain area of expectation we
will consider is that there will be incredible shocks and very likely
disastrous, chaotic events threatening the survival of the species. It seems in
some ways irresponsible to join those making such dark forecasts, given the self-fulfilling
nature of prophecy. It is also true that the future is unformed and that each
of us every moment is a variable changing the composition of the species as it
boils in the crucible of evolution. The nature of what we are drawing near is
the unexpected, and all predictions are suspect and may be violated. Drastic
climate change seems imminent, but there may be unknown wildcard variables that
may introduce other changes of equal or greater magnitude. Certainly all
predictive utterances, if only because they are made of words, will flatten and
distort the mysterium tremendum of actuality.
Having said
all this, it still remains the most obvious of all predictions to assert that
we are headed toward some serious shocks and calamities. People who probably
disagree with me on every other point will likely agree with this. But the
information encoded again and again in the Singularity Archetype is that these
devastating shocks, viewed from an angle of sufficient detachment and
elevation, are necessary rites of initiation for an immature species desperately
in need of growth. McKenna uses the analogy of an alien viewing a human mother
giving birth. Everything about the process screams medical emergency. There is
agony, weeping, blood, rending of tissue. To the uninitiated the process must
appear a calamity. And in actuality the birth process is both risky and
uncertain. It needs to be handled with love and care. But more often than not,
even with imperfect care, the miracle succeeds and new life is brought into the
world.
Note added on 11/28/05:
There are other
areas of transformation I anticipate, though I did not originally write
about them here. I discuss them at length in the DVD Looking Toward the
Event Horizon. The list can always be expanded because to change one
core attribute of an individual or species is to change all the
others. For example, a change in a person's spirituality
is likely to mean changes in their eros or sexuality (and
vice-versa). This will also likely be accompanied by changes in their
relations to money, eating, time, power, ego and so forth. Some
key areas of change I have written about elsewhere follow.
As
we approach the event horizon I believe that we will become more aware of parasitic
beings which have been coevolving with us for a long time and that are major,
largely unrecognized players in individual and collective human
psychology. Our relationship with them will mutate and metamorphose
as we approach the singularity. For more on this coevolution see Mind Parasites, Energy Parasites and Vampires.
Our relationship to
body is undergoing great transformation and change and I expect that process to
dramatically intensify. See The
Glorified Body---Metamorphosis of the Body and the Crisis Phase of Human
Evolution. Interwoven with our transformed
relation to body will be transformations of our relations to gender, romance
and the archetypal qualities of masculine and feminine---see Casting Precious into the Cracks of Doom----Androgyny,
Alchemy, Evolution and the One Ring.
Other cultures forecast a cycle of changes on a time scale that maps onto
our present situation. This relates also to a transformed
relationship to time. See The Mutant versus the Machine---the End of the Iron
Age and the Galactic Alignment of 2012, A Splinter in your Mind , Clocktime Metastasizes toward 2012
and A Gnostic dream of 2012.
I've done a lot more
work recently on visual communication as an emergent evolutionary
theme and this work has been incorporated in a four-hour mp3, Logos Beheld, which
is available at zaporacle.com. This
theme relates strongly to the homogestalt idea and a new relationship
between individual and collective consciousness and group telepathy.
The Problem of Evil
and Suffering
The idea of
necessary initiatory shock is not meant, however, to be a sufficient
explanation of the problems of evil and suffering. The work of people who've
really struggled with this problem, and who've been trained in ethics and
philosophical discourse, is not replaced by some simple statement. And the
infinite paradox of evil is not to be resolved in words. People sometimes, as I’ve
discussed elsewhere, have a glib tendency to think they can explain evil away
with clichés like, "God only gives you the burdens you need to
bear." But the recent memory of the Holocaust and other irredeemably
evil events make such easy dismissals too disrespectful to utter even if they
contain a large measure of truth. Perhaps if we said, "Often it seems
that you are given burdens that you need to bear," we would have a
more acceptable principle. The tendency for the human mind to try to overreach
itself when attempting to comprehend and communicate the incomprehensible should
be taken like many, many grains of salt with the following statement: Much that
we consider evil seems to be a developmental necessity for human beings.
Subcreation and the
Developmental Need for Evil
A way to discover
the developmental need of perceived evil is to set about the task of writing an
interesting story. A person creating a story, like a dreamer, is required to
generate a universe. J.R.R. Tolkien, referring to the particular genre of
fantasy writing, called this process "subcreation." The story
maker, particularly the fantasy story maker, is a subcreator, a being who in
relation to the world of his story is in direct analogy with God in
relationship to the universe. Like the universe, a story is a world made of
patterned energy. The story is a microcosmic universe that has many parallel
operating principles in common with the macrocosmic universe. So it is very
interesting to note that when you set about the task of writing an interesting
story you are almost immediately obliged to create evil. A story that lacks
elements of adversity is stillborn, sterile, synthetic, dead in the water like
a plastic smile button floating on an endless sea of artificial rose bouquet air
freshener. If you love and empathize with your characters then you may feel
obliged to provide adversity for them that is beyond their present powers to
deal with. Only by growing and becoming more conscious can they survive the
trial.
What would
Tolkien’s subcreated world of Middle Earth be like without Sauron, Saruman, Ringwraiths
and orcs? Hobbits going on dates with other hobbits? We touched on this in the
section on organisms and change. Organisms seek to maintain homeostasis, the
equilibrium that they have dialed in. For the body, this is healthy, as it
would be medically perilous if your blood pressure, heart rate or other bodily
parameters fluctuated wildly and unpredictably. What is healthy for the body,
which doesn’t evolve so much, is not so healthy for the psyche, which is either
evolving or regressing. An even keel, a psychological and spiritual homeostasis
is stagnation. This bifurcation of a the complex and dynamic process of the
human psyche is captured by a Dylan lyric, “He who’s not busy being born is
busy dying.” Since we tend to default into a conservative homeostasis, a
stagnant cocoon or comfort zone, we need periodic shocks to stir things up. We
need “punctuated equilibrium.” But to the conservative ego these
disruptive shocks are likely to be judged as unfortunate and evil.
But it
should also be pointed out that it is possible to write a story in which
characters struggle with adversity that ultimately is too great for them. The
British novelist Thomas Hardy, for example, has a particular empathy for
characters in this situation. Life itself also generates a great many such
human stories. Perhaps these stories are far more common in actuality than the
more exceptional stories of the conscious hero. It may, therefore, be
reasonable to consider the possibility that the human species faces adversity that
may be too much for it to overcome.
If adversity
is a developmental necessity, so too are love and a sufficiently strong, vital
psyche. These elements occur in endless permutations in individual human lives.
Quite often it appears that the combination is one of too much adversity, too
little love and insufficient strength. Those who have faith in reincarnation
may claim that a crushing lifetime may be a developmental step in a manifold
incarnate being. But from where I'm standing it seems disrespectful to the
suffering and predicament of so many human lives to attempt explaining them
away. [7]
Conclusion: Facing the Singularity
Turning a Message into Action
It's been said that
the final step in a dream interpretation process is to decide how to take the
truth learned in a dream and turn it into definite life changes and specific
actions. If we take the dreams and visions of the approaching Singularity as a collective
dream bearing an important message for us, how do we act on it? The first step
is to develop our consciousness, to become more aware and sensitive to what is
happening in and around us during this volatile growth spurt. Pay attention to
your dreams and use oracular technologies like the I Ching ("the
Book of Changes") to tune into an ever more fluctuating and mutating
reality. A related step is to seek to live as a Warrior, humble and alert,
strong and centered within, focused and effective without. We each need a
worthy, conscious mission statement and the will to fulfill it. And those of us
who understand what is happening need to fulfill self-designed and initiated
quests to assist the evolutionary process.
Designing your Quest
Inner development
certainly promotes the development of the species, but an exclusively self-referential
quest may not be a sufficient response for a soul incarnating in a world with
so much trouble and suffering. There are infinite possibilities available for
your quest, but you might begin by considering three broad, overlapping areas
of concern.
Helping the Planet
The first is helping
your mother, the planet earth. For years I'd been pretty lethargic about doing
environmental work because it seemed like such a losing battle. In addition, my
interpretation of the Singularity Archetype led me to believe that ecological
destruction of the planet was an inevitable part of this process, as the human
species needs to be confronted with extinction to wake up. This may well turn
out to be true, but it does not at all excuse our being passive bystanders to
the needless destruction of life. Each of us has a primary, inescapable
responsibility to the planet that has given us life. Whether we asked for it or
not, we are all members of the species that has toxified the environment. All
of us have used products and consumables that have contributed to the
toxification process. Therefore, we all have a large karmic debt to pay in the
form of service to the planet. I've tended to fluctuate from appalled apathy to
appalled activism. There is no one we can defer responsibility to for
environmental work. We can't ask dolphins, aliens, God or other people to take
our place. This is our mess, we made it, each of us has added to it, and we must
all work on cleaning it up.
Helping Fellow Humans
The next area of
concern is our fellow human beings. We need to help, heal, love, and teach
everyone we possibly can. There are so many lost souls out there. Reach out
especially to those who are capable of growing and becoming more conscious,
because they will be able to reach out to others. Communicate to others what is
happening on this planet and help to give form to what they already know and
sense.
Re-envisioning Reality
The third area of
concern involves the creation of new visions. Vision creates reality and we
need to massively re-envision our current reality. As we approach the
Singularity the interactivity and interdependence of vision and external
reality will exponentiate. Visions are the seeds being planted in the fertile,
chaotic, alchemical field of destabilizing reality. We need to plant seeds that
will grow, seeds that have a germ of love and imaginative brilliance that can
flower in the world to come.
The
sickness of our present world is the direct result of a sickness in our vision.
We need to break out of the self-fulfilling hopeless visions of the world. In Star Trek mythology, prospective
Federation captains are tested in sophisticated simulators with a no-win scenario
called the “Kobayashi Maru,” a tactically impossible situation where every
possible strategy and series of actions will fail. Captain Kirk's response when
he was tested by the Kobayashi Maru simulation for the third time was to reject
the no-win scenario. He did this by reprogramming the simulation computer.
That's exactly what we need to do. We need to reprogram the simulation
computer. We need to assert ourselves as reality transformers---that's what the
human species has always been about. Reject the no-win scenario and create new
visions.
Dreams,
films and fantasy fiction are of essential significance. Don't let deepening
practical problems distract you from the centrality of vision. Visioning is not
a leisure time activity; it is the core of what's happening. Remembering,
interpreting, and experimenting with your dreams are crucial tasks. Lucid
dreaming, becoming aware that you are dreaming within a dream, has a particular
evolutionary significance as it bridges the realms of waking and dreaming life.
Great works of subcreative fantasy fiction like Tolkien's Ring Trilogy and Frank Herbert's Dune books are of great value because they allow us to enter highly
differentiated alternative realities. Subcreation, being able to create your
own alternative realities, may be the key ability needed as we approach, enter
and emerge from the Singularity.
Taking Responsibility
for a Precarious Experiment
There is reason to face the approaching Singularity with a certain
optimism, but there is also reason to respect the power of darkness and the
precariousness of many living processes. A very wise rabbi once told me that it
is written in the Talmud that before God created the earth that he created
numerous other worlds as experiments. Each of these previous worlds turned out
badly in some way and was destroyed. Perhaps, this rabbi suggested, our world
too is just one more experiment and perhaps it will also be destroyed. But even
so, he continued, our actions still have an eternal significance.
Viewing our situation as a precarious experiment whose future is largely
unformed may be the vantage necessary for us to take sufficient conscious
responsibility for our actions. Each one of us is a decisive variable in the
equation. So as you enter and travel through the strange wilderness of a new
millennium, consider the possibility of striving to be a Warrior. In The
Way of the Warrior I defined a Warrior
with a capital “W” as, “…someone who strives to live alertly, intelligently, attuned to the moment in order
to serve life affirming transpersonal
values.” From a Warrior’s stance, it
doesn’t matter that much whether the event horizon we are hurtling toward is
personal death or the eschaton of the species, our moment by moment duty
remains the same---to act with integrity, compassion and precision, the stance
I call “existential impeccability.”
Consider embarking on a quest to bring love and understanding to the difficult evolutionary process you've incarnated in. Expect the unexpected and follow the path with heart.
Epilogue----Genevieve’s Dreams about the Singularity Archetype
An hour or so after I finished my extensive 2009 revision of this document I received two dreams sent to me via email from a friend, Genevieve, a woman in her mid-twenties, a successful software engineer. These dreams seem to me like an epilogue sent by the collective conscious, an update on the Singularity Archetype.
Genevieve has had a long-term interest in the paranormal, exposure to writings about Mayan prophecy, and has also read a number of my writings. From one point of view, she could be viewed as a hopelessly contaminated dreamer of the Singularity Archetype because she has so much waking life influence from related material. There are a few reasons why I don’t think this disqualifies Genevieve. One is that if we disqualify her, then we would also be disqualifying ourselves. Any reader who has read this far has heard about the Singularity Archetype and would similarly have to disqualify any related dreams that they might have. Also, from the contamination point of view, every dreamer is disqualified, because everyone has been exposed to and influenced by at least one form of apocalyptisism. The dominant forms of apocalyptic influence are: the grim ecological point of view, religious fundamentalism, the dystopian science-fiction view and New Age prophecy. Unless you’ve grown up off planet, the likelihood is that you have been influenced, in one way or another, by all of the above.
Another reason for including Genevieve’s dreams is that waking consciousness is usually not in control of the dreamtime. Dreams often confound waking consciousness. Jung believed that dreams had a compensatory function---they compensated for defects in the waking attitude. Whatever you needed to be more aware of in the waking life will make an appearance in a dream.
Also, dream interpretation is always highly subjective. One human psyche is interpreting the artifact of another human psyche, or of its own psyche, and that’s as subjective as it gets. Subjectivity is the baseline for all dream interpretation. I agree with Jeremy Taylor’s idea of “projective dream work,” which begins with the premise that all dream interpretation is projection. In projective dream work, every interpretation begins with the acknowledgement, “If this were my dream. . .” The interpreter will often narrate parts of the dream in the first person as a further acknowledgment that what they are interpreting is their own experience of the dream.
Subjective material is too valuable to exclude from consideration. If we acknowledge the subjectivity of our point of view, and attempt to discern things as rigorously as we can, we may gain priceless insights by looking into the subjective. Acknowledging the subjective is not the same as being a relativist, it does not mean that every point view is merely the conditioned product of shifting cultural context. Looking into subjective material means that we could very well be fooled, deceived and deluded, but it does not exclude the possibility that we may also discern crucial truths. And many of those crucial truths are never going to be accessible to the person who thinks they can exclude subjectivity from their worldview. They will also not be available to the person who is not discerning in their relation to subjective material. If you are credulous, literalist, absolutist, or just plain sloppy in your approach to subjective material, it is very likely to swallow you whole. My assumption is that you, the reader, are skeptical, and that you are examining my speculative thoughts, and everyone's speculative thoughts, from your inner truth sense and discerning point of view.
Finally, I’m including Genevieve’s dreams because they arrived at a time that seemed synchronistic, about an hour or so after I thought I had finished my revision of this document. It was as if a force outside of me were insisting on an epilogue.
RAY OF LIGHT (Genevieve’s title for the dream) January 5, 2009
“So first of all, I woke up at 3:23 this morning, no idea what awoke me, but I was having a boring dream about trying to match items from an Avon catalog that I had picked out the night before...
I could not fall back asleep for some time… but finally did, then had this crazy dream:
I was in my bedroom where I grew up... I think in the dream, my boyfriend was with me… but I looked out the window, it was nighttime, and I saw all this crazy shit going on in the sky. Looked like a meteor shower - orange lights streaking all over the place… I kept watching and then could see what looked like Saturn maybe? All huge…
Then I noticed that there were these Asian-looking people sitting outside my window. They didn't seem to notice me, but some of the women were naked and had lots of tattoos covering their bodies. They looked tired. We ducked down, not really wanting them to see us.
I remember walking around the house trying to figure out what time it was, but all the clocks said different things. I think my boyfriend said it was 12---and I thought he meant 12 noon and that I was late for work. Still it was dark out and I couldn't figure out what time it really was.
Then at some point after that, I looked out the window again, and there was this giant ray of light that shone directly on me. It was an immense amount of energy---and when I tried to talk, I couldn't speak---I just made a sort of gagging sound. All of this dream seemed very real. I just sort of sat there, with my eyes closed, and absorbed the energy from the ray. My whole body felt tingly and energized---it was a really amazing feeling. It was like I knew it was updating my genetics, activating things in me. I just breathed deep and tried to relax---but could not speak.
After the ray released me, I found myself in a coffee shop with a bunch of people. It still seemed like nighttime. I started talking to the people and they told me about an experience they had just had that was totally like mine! They had also experienced the big ray of light and not being able to speak, etc.”
RAY OF LIGHT, INTERPRETED
“So first of all, I woke up at 3:23 this morning, no idea what awoke me, but I was having a boring dream about trying to match items from an Avon catalog that I had picked out the night before...”
Genevieve gives us the exact hour and minute that she wakes up. Three o’clock in the morning is traditionally considered the “witching hour.” The number 23 has many mystical associations (http://en.wikipedia.org/wiki/23_Enigma). These mystical associations inspired a major Hollywood film, The Number 23, starring Jim Carrey, which was released in 2007. At this mystical time in the waking life, Genevieve wakes up from a dream that reflects and amplifies the mundane world where one gets immersed in everything an Avon catalog would represent---materialism, consumerism, the cosmetic approach that emphasizes the persona and the world of surfaces and appearances. It is as if, through the law of opposites, the mundane is needed to potentiate a revelation of the divine.
“I
could not fall back asleep for some time… but finally did, then had this crazy
dream:
I was in my bedroom where I grew
up... I think in the dream, my boyfriend was with me... but I looked out the
window, it was nighttime, and I saw all this crazy shit going on in the sky.
Looked like a meteor shower--- orange lights streaking all over the place… I
kept watching and then could see what looked like Saturn maybe? All huge…”
Genevieve is in familiar circumstances but then she sees and experiences some anomalous events:
“Then I noticed that there were these Asian looking people sitting outside my window. They didn't seem to notice me, but some of the women were naked and had lots of tattoos covering their bodies. They looked tired.”
I emailed Genevieve a question about this: “The tribal people are naked and tattooed---did they seem tribal or more like tattooed modern persons who were undressed? Did their tiredness seem to be from exertions, as if they were weary from a long hike, or was the tiredness more from temperament, like they were sluggish, low energy people. What’s your sense of the tiredness?”
Genevieve’s response: “They were more like tattooed modern persons who were undressed. Their tiredness seemed more from temperament, like they were low energy people, but possibly also from a long life of hard work that had worn them out.”
“We ducked down, not really
wanting them to see us.”
Question emailed to Genevieve: “What were you anxious about happening if they saw you? Was it just out of an instinctive urge toward privacy or did you think they might be dangerous or solicit you as beggars or what?”
Genevieve's
response: “I think it was somewhat out of an instinctive urge toward privacy,
but also because I thought they might be dangerous---and being directly outside
my bedroom window, looking at us, I was sort of freaked out.”
“I remember walking around the
house trying to figure out what time it was, but all the clocks said different
things . . . I think my boyfriend said it was 12---and I thought he meant 12
noon and that I was late for work. Still it was dark out and I couldn't figure
out what time it really was.”
Linear time has been irrealized, but there is still the pull of the mundane and anxiety about being late for work. Time depends on perspective and her boyfriend apparently thinks it’s midnight, and Genevieve thinks it’s noon.
“Then at some point after that, I looked out the window again, and there was this giant ray of light that shone directly on me. It was an immense amount of energy---and when I tried to talk, I couldn't speak---I just made a sort of gagging sound. All of this dream seemed very real. I just sort of sat there, with my eyes closed, and absorbed the energy from the ray. My whole body felt tingly and energized---it was a really amazing feeling. It was like I knew it was updating my genetics, activating things in me. I just breathed deep and tried to relax---but could not speak.”
The emphasis on not being able to speak is very interesting. We have already discussed nonverbal communication and a visual telepathy as key aspects of the Singularity Archetype. Although, the new means of communication is not clearly realized here, we do find that the old means of communication is shut down. Genevieve discovers that she is mute while her genetics are being updated by a ray of light. Apparently the evolutionary upgrade makes speech unnecessary.
“After the ray released me, I found myself in a coffee shop with a bunch of people. It still seemed like nighttime. I started talking to the people and they told me about an experience they had just had that was totally like mine! They had also experienced the big ray of light and not being able to speak, etc.”
That the other people had the parallel experience, even if Genevieve wasn’t aware of them while it was happening, suggests a communal telepathy as well as a global evolutionary metamorphosis.
Message from the Stars (Genevieve’s title) February 18, 2009
“Had another one of these dreams again last night. They are always very vivid, very intense, very colorful.
I was in what was supposedly my
house and several of my friends were there, but in another room. It was
nighttime, and dark enough out that I could see the stars well just by looking
out my big picture window in the back of the house. I must have been looking at
just the right moment, because suddenly, from the middle of the sky, the light
started to get brighter, and then like a laser, a beam of light shot out of
space and towards my right.
It
seemed like it was very close, and that it had hit the ground. The sky was very
lit up from this in amazing colors. I ran through the house to the front of the
house, yelling to my friends what I had just seen. When I looked outside, it
was striking right in front of my house, leaving a huge and deep gash in the
front yard.
While
the beam was striking right there, in front of my eyes, there were all sorts of
visual messages I was receiving.
They depicted what felt like a warning. There were images of a cartoon devilish character, and what felt like destruction, but at the very end an image of a seedling, or of grass regrowing.
I felt like it was telling me that I need to meditate, that my very survival depends on it. I felt as if I didn't take heed of this warning, I would not survive. I vowed to meditate more.
After the blast had concluded, we were looking at some art pieces that were on my wall. Apparently I had photographed them with a camera phone before the blast, and we could now compare them to what they looked like now. They were both reddish (like natural clay red) and made of something like a clay material. The first one had been a depiction of Jesus, or something like that, not the typical Jesus picture though, but more of a tribal depiction. The clay was now blemished as if from extreme heat, and bubbly on the surface.
There was another clay piece which depicted a Mayan god, and had before been in a somewhat peaceful pose. It was now taking a more active stance. A feather in its hand had transformed into a knife, ready to strike.
The atmosphere felt intense, and as I looked out to the sky again there were brilliant nebula clouds of colors forming, flashing and fading. All sorts of activity and it was brilliant. I noticed in the room where I was, were only some of my younger friends. Throughout the house there were two other rooms with older, and yet older groups of people. I tried to urge the younger of the two groups to come and see what was going on in the sky.
After
sometime, maybe it was the next day, because it seemed light outside again, I
went out to the front to examine the damage that had occurred to the yard. The
yard was right up against a street, and the gash was the entire length of my
house. It was only in front of my house---as if the message had been directed
solely at me, however it was mostly parallel to the street. There was no grass,
it was just like hardened dirt and there were all these mysterious shapes
carved out of it. Each of the shapes seemed to be one of the parts of the
messages I had felt I received.”
Message from the Stars, Interpreted
“While the beam was striking right
there, in front of my eyes, there were all sorts of visual messages I was
receiving.”
Now it becomes explicit that the beam of light includes visual telepathy. The beam is literally the “Logos Beheld” and, in particular, the Logos Beheld is the Singularity Archetype. (Listen to my MP3 entitled “Logos Beheld” for much more on this topic.)
“They depicted what felt like a warning. There were images of a cartoon devilish character, and what felt like destruction, but at the very end an image of a seedling, or of grass regrowing.”
Here we have a very concise description of the Singularity Archetype in a single sentence. We see the wing of Satan again, the devil, but it is cartoonish. The message seems to be that the singularity may seem sinister, but only from the childish ego-bound perspective. Still, there are warnings of a great destruction, but with the strong implication that this is necessary for rebirth.
“I felt like it was telling me that I need to meditate, that my very survival depends on it. I felt as if I didn't take heed of this warning, I would not survive. I vowed to meditate more.”
In many apocalyptic visions and projections there are cataclysmic events in which a great many human souls are unsheathed from their bodies. For example, the extra-Biblical evangelical expectation of the Rapture involves an apocalypse where only the Christian elect are relieved of their imperiled mortal bodies and whisked away to heaven. A technological materialist like Ray Kurzweil may imagine an ecological apocalypse where only those who have been lucky enough to have their consciousness downloaded into a quantum computer survive. Essentially, the archetypal expectation is that only those able to transcend the corporeal body survive, and they do so because they have perfected their spirit body (or their “information body” if you are a salvation-via-technology singularity theorist). There is a very long tradition, in many spiritual disciplines, that only those who have learned to transcend their egos, especially through the practice of meditation, are sufficiently prepared to cross the event horizon of personal death, and we’ve already discussed that personal death parallels collective eschaton. Also, meditation is a practice highly related to the Logos Beheld idea that the evolutionary transformation will involve a sudden transition from verbal communication to visual telepathy because meditation is all about quieting the internal chatter, the psyche’s tendency to default into word-based thinking.
“After the blast had concluded, we were looking at some art pieces that were on my wall. Apparently I had photographed them with a camera phone before the blast, and we could now compare them to what they looked like now. They were both reddish (like natural clay red) and made of something like a clay material. The first one had been a depiction of Jesus, or something like that, not the typical Jesus picture though, but more of a tribal depiction. The clay was now blemished as if from extreme heat, and bubbly on the surface.”
Questions emailed to Genevieve: “Can you say more about the Jesus art piece? Did it look tribal before or only after? What does it mean that he looked tribal? Did he look more Semitic than the conventional Nordic Jesus? How was he dressed and exactly what did he look like? How did you feel about the changes to the art piece? Did it feel like it was partly ruined or that it had been altered in an interesting way or what?”
Genevieve's response: “Well, it didn't really look anything like Jesus at all. I guess I just knew in the dream that that was what it was. It was a grayish or reddish clay material, all one color, and it was textured. It always looked tribal---both before and after---and by tribal I mean that it looked like an Indian---a guy in a headband with very Mayan---like features. After the comet/star landed, the heat from it made the clay bubble, so the texture was no longer as smooth. I didn't feel like it was ruined; I was just intrigued at what had happened to it, and the transformation felt somewhat symbolic---because there wasn't any other heat damage anywhere else in the house that I recall.”
This mutated representation of Jesus is emblematic of the strange intermingling of prophetic traditions happening today. It seems to be a product of multicultural hybridization and it is messianic, but not necessarily in the way that any one tradition might anticipate. Also, unlike a static tradition, the emblem mutates with the cosmic trigger event. A possible implication is that this is a time where one static mythology no longer serves, but where there is a spontaneous eruption of mutating, hybridized mythologies. Genevieve, like so many today, is a cultural and ethnic hybrid, half Jewish/ half Catholic, and with no particular commitment to either of these Abrahamic faiths. She seems, like many open-minded seekers of this era, to be looking for insight from whatever fields---science, spirituality, paranormal studies---and from whatever cultures---Abrahamic, tribal, Mayan---that have relevance in an unprecedented time. These once very disparate elements hybridize, bubbling together in an alchemical cauldron. The signs of heating, especially since they are not observed elsewhere, indicate the imperative need for our prophetic traditions to be reheated and hybridized, to be returned to the kiln of the unconscious and reformed.
“There was another clay piece which depicted a Mayan god, and had before been in a somewhat peaceful pose. It was now taking a more active stance. A feather in its hand had transformed into a knife, ready to strike.”
Question emailed to Genevieve: “What feeling did you get from the change in the Mayan clay piece? Did it seem threatening and ominous or just different?”
Genevieve's response: “It didn't seem threatening, just different, perhaps a bit ominous.”
Mayan prophecy in particular seems activated and ready to be fulfilled.
“Throughout the house there were two other rooms with older, and yet older groups of people. I tried to urge the younger of the two to come and see what was going on in the sky.”
Question emailed to Genevieve: “What was the age range of each group? What did these people seem like? Did the two groups seem different besides their age?”
Genevieve's response: “The age range of the 'older' group was probably mid 40s - 60s and the group of even older people was probably 65-80. They seemed like fairly normal people, although I recall some of them (in the 'older' group) seemed a little overweight. The older they were, the slower they seemed to be and respond. Like I said I was trying to urge the groups to come look at the sky, and the older they were the more reluctant they were to come. Those were the only apparent differences between the groups---that the younger group seemed less 'stuck'.”
The ages of the two groups may be both metaphorical and have something interesting to say about actual generations. Age may be a somewhat metaphorical representation of “stuckness” and of being hardened into obsolescent patterns of adaptation. Nonmetaphorically, it is certainly a general psychological truth that aging typically makes neurotic symptoms more rigid and sharply defined. People do tend to get more stuck in their ways as they age, not in every case, but as a general trend. But what is also interesting are the specific age ranges given for the two groups. A group that as of 2009 is in their mid 40s to 60s precisely defines the Baby Boomer Generation (usually thought of as those born 1945-1964). (Boomers, as a generation, were famously open to the cosmic, the unusual, the psychedelic, and the culturally exotic. There was a huge generation gap that existed between the boomers and the two preceding generations. Those who are 65-80 as of 2009 are called the “Silent Generation” and are thought to be a particularly conservative generation. They were too young to fight in World War Two and too old for the most part to participate in the revolutionary events of the Sixties. With the recent defeat of John McCain the Silent Generation became the first generation in U.S. history not to be represented by a president. It is interesting that in Genevieve’s dream they seem the most reluctant to be involved in revolutionary change. (For more on generational differences go to http://www.fourthturning.com/ )
“After sometime, maybe it was the next day, because it seemed light outside again, I went out to the front to examine the damage that had occurred to the yard. The yard was right up against a street, and the gash was the entire length of my house. It was only in front of my house - as if the message had been directed solely at me, however it was mostly parallel to the street. There was no grass, it was just like hardened dirt and there were all these mysterious shapes carved out of it. Each of the shapes seemed to be one of the parts of the messages I had felt I received.”
There could be an instructive message here about the nature of archetypal and prophetic visions. It feels like the message is directed solely to her, but it also runs parallels to the street. Running parallel to the street suggests that the message is relevant to the neighbors and therefore the collective in general. Archetypal/prophetic visions feel particularly directed toward the individual psyche that experiences them, and yet they also parallel the collective psyche. The implication is that Genevieve’s dreams may contain meanings that parallel the evolutionary predicament of our species.
[1] See Thoughts on Jung.
[2] See astralinfo.org.
[3] See : A Mutant Convergence---How John Major Jenkins, Jonathan Zap and Terence McKenna met during a Weekend of High Strangeness in 1996.
[4] See A Guide to the Perplexed Interdimensional Traveler for more on the hierarchy of psychic functions.
[5] To read the paper that resulted a few months later from this encounter, Archetypes of a New Evolution ( 1978), go to: http://www.zaporacle.com/textpattern/article/102/archetypes-of-a-new-evolution.
[6] For much more on androgyny and evolution, see: Casting Precious Into the Cracks of Doom-----Androgyny, Alchemy, Evolution and the One Ring.
[7] For more on this theme, see on A Guide to the Perplexed Interdimensional Traveler (the mini online version) and Tolkien and the Developmental Need for Evil.




